O Espantalho

  • Brasil Espantalho (mais)
Trailer

Sinopses(1)

Acabado de sair da prisão, Max (Gene Hackman) está a caminho de Pittsburgh, onde tenciona abir uma lavagem de carros de luxo. Lion (Al Pacino), um marinheiro recém-chegado de cinco anos no mar, quer chegar a Detroit para conhecer o filho que nunca viu. Sonhos que podem não parecer espectaculares, mas que vai partilhar com Max e Lion, porque O Espantalho é um filme com um grande coração, tão grande quanto os Estados Unidos que os dois terão que atravessar. Os dois vagabundos, perseguidos pela má sorte, são personagens inesquecíveis, graças às excelentes interpretações dos protagonistas, à realização arrebatadora de Jerry Shatzberg, e às paisagens memoráveis capturadas pelo director da fotografia Vilmos Zsigmond. Faça-se à estrada com estes dois vagabundos. Promete ser uma viagem inesquecível. (Wakanim)

(mais)

Vídeos (1)

Trailer

Críticas (4)

3DD!3 

todas as críticas do utilizador

inglês An excellent drama about friendship with the great Al Pacino and Gene Hackman. Relaxed pace in the beginning, making one think that life can be nice after all, is replaced in the middle by harsh reality, which, by the end, almost crushes you, mainly due to the performances of the two protagonists. I'd like to believe they eventually opened the carwash. ()

Matty 

todas as críticas do utilizador

inglês They were away for a long time and now they’ve come back. To a world that has lost interest in them. Scarecrow is a slow, conventionally directed drama, of the kind that was made in the late 1960s and early ’70s, when Hollywood began to take interest in actual events happening “out there” (e.g. The Rain People, Midnight Cowboy, Five Easy Pieces). It is appealing primarily due to the two up-and-coming lead actors, both of whom were fresh off playing their breakthrough roles (The French Connection and The Godfather, respectively) and yet they took part in this modest but rewarding project. After the financial failure of Scarecrow, Hackman announced that he would henceforth focus on commercial projects. Pacino probably never said any such thing, but it’s clear from his filmography that he took the same path. 75% ()

Publicidade

Malarkey 

todas as críticas do utilizador

inglês A very decent road movie in all respects. If that is not enough to lure you in, then young Al Pacino and Gene Hackman should. Their acting performances were great and overall I liked that the film had such a nice relaxed atmosphere. Even though it doesn’t look like it at all in the beginning. ()

gudaulin 

todas as críticas do utilizador

inglês Schatzberg's film tries to follow in the footsteps of Midnight Cowboy and focuses on two outsiders on the fringes of society and the city, but something is off. In my opinion, the dramatic aspect of the story doesn't work as it should because I watched the movie at 10 in the morning and couldn't avoid having mini naps, especially in the first half. Those familiar with Schatzberg's work can't expect a fast pace, but I wouldn't blame Scarecrow for its tempo. It's more the story itself and its events that are lacking, and perhaps I was missing a strong musical motif like "Everybody's Talking at Me." I have no issue with Hackman and Al Pacino's performances, yet my overall impression is average, around 55%. However, I do like the choice of the theme. Not many films having this topic are made in the United States. ()

Galeria (45)