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At long last, Aladdin is about to marry the Princess Jasmine. Despite the presence and encouragement of his friends Genie, Carpet, and Abu, he is fearful and anxious. He is most worried as to what kind of father he will be, having never known his own. But when the 40 Thieves disrupt the wedding trying to steal a magical oracular talisman, Aladdin is drawn into a dangerous quest to stop the find his long-lost father. (texto oficial do distribuidor)
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Aladdin: The Return of Jafar may not have been particularly groundbreaking, but neither did it go to great lengths to hide how forced it was. On the other hand, Aladdin: The King of Thieves is somewhat more pleasant and a more natural fit for the overall narrative. And yet a new villain appears, because dueling with the vizier for a third time simply wouldn't work. The whole story revolving around Kasim and his colorful band of murderers steadily ticks boxes with its simplicity, and the songs will stick in your head for a few days after watching. However, due to its predictable clichés, it still doesn't earn a higher rating. Still, the rating comes dangerously close to 70% thanks to the fact that it brings the trilogy to at least a somewhat satisfying conclusion.
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It wasn't until the end of the trilogy that I found peace. Aladdin was a huge phenomenon in the 90s, with the TV series of the same name being aired and gamers jumping around in the city of Agrabah on their computers. Yet who would have guessed that the wedding would come after such a long delay? It was necessary to come all the way here. The important thing is that the third film is better than the second.
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