Críticas (2)
What's worse than seeing two films by Kurt Kren? Seeing a third one. Any of you who might have stumbled across my review without knowing what the movie's about, run as far away as you can from this self-absorbed idiot.
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An explosion of primordial energy - animality, blood, a world without convention because it is without culture: the sinking of culture into a total mixture, in which things lose their shape and a bicycle lies on the table - explosion of the frenetic force of film, feverish unrestrained editing, sinking into the film. The return of the artist from the mid-20th century to this state through imitation of the creative process of a caveman, covering the walls and ceiling of his cave with drawings composed of simple lines? Ana as a Paleolithic Venus, unappealing and even terrifying to our modern conventions, but in the world of Freudian patria potestas before Oedipus, an embodiment of animal beauty? A bit like a sped-up Zwartjes.
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