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inglês Music as a formal continuity of discontinuous ideas - the decay of civilizations, which, like every hero, need their catastrophe (Achilles would not be without his heel, Napoleon needs St. Helena) to be inscribed in history as such, and therefore, every empire needs its collapse to experience its glory. And as the film femme fatale of the "Phantom of the Opera" - the guide Litvinov, says, not only is it the principle of art: but also the consumption of the strength and identity of those we devour - the extermination of lions, eagles, and opera by today is the only way to save them. A somewhat paradoxical finding emphasizes the dynamic tension between sarcastic Kazakh ethnology with surreal sheen - which allows opera singers to perform from the stage in a yurt to the big world of music, just as H. Růžičková from a Czech courtyard once stepped with one foot into Europe - and authentic nobility, when Turkic and Persian carpets on a micro-level perfectly imitating the burgundy boxes of opera houses, the music of giants roars with full force and the purity of tones complements the purity of visuals. Self-ironic not in the form of pop art, but opera art, which pays homage to eternity in the scenery of all-pervasive decay. ()