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Leonato (Clark Gregg) é o governador de Messina e pai da bela Hero (Jillian Morgese). Quando eles recebem a visita do amigo Don Pedro (Reed Diamond), que retornava de uma guerra acompanhado do irmão rebelde Don John (Sean Maher) e ainda dois policiais, Benedick (Alexis Denisof) e Claudio (Fran Kranz), este último se apaixona perdidamente pela jovem. Enquanto isso, Benedick tenta esconder o interesse que nutre pela sobrinha do político, Beatrice (Amy Acker), que faz o mesmo. Enquanto os amigos tentam aproximar os dois, o malvado irmão do nobre guerreiro arma uma conspiração para atrapalhar os planos de casamento dos jovens pombinhos Hero e Claudio e parece ter conseguido, mas um fato inesperado poderá ajudar essa história a ter um final feliz. (H2O Filmes)

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inglês After two screenings in a row, I can't stop thinking about whether the uninformed viewer could ever enjoy the current adaptation of this medieval romance. Probably not. It's not that it's absolutely necessary to know that we are watching friendly "amateur theatre" at Joss Whedon's house in order to enjoy slightly adapted classic texts, but it is precisely those who have thoroughly watched Joss's TV work who will enjoy this dose of Shakespeare the most. Whether it's a deeply dreamy sigh that "Wesley" and "Fred" are still a fated couple years after the end of Angel, or just a knowing smile when "Mr. Dominic" from Dollhouse casually starts playing the guitar in the morning. Perhaps only Nathan Fillion is again playing Nathan Fillion, and we eat it up with benevolent forgiveness, not expecting anything else from him. And that look lasted easily until the final credits. This friendly art is everything. A successful experiment and a declaration of love for beloved classics – but above all, an excellent film where sincere confessions blend with a decent dose of side jokes. ()

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