Westworld

Westworld (2016) 

Season 1 – 90% – Behind every dusty town corner, behind every distant mountain, there is such potential hidden where during chills were running down my spine the first few episodes from all the possible scenarios of how I would handle each complicated situation. Jonathan Nolan and Lisa Joy cleverly tell the story at a measured pace that presents many questions but also manages to quickly answer the most pressing ones with subtle clues, so that an attentive viewer can guess the twists ahead of time. But when such dark suspicions are confirmed, with the assistance of phenomenal performances by Anthony Hopkins, Jimmi Simpson, and Thandiwe Newton, it becomes a genuine delight for the audience. Westworld is not perfect yet, but with each episode, it refines its edges faster, and despite the painful loss of some beloved characters, after closing a surprisingly large number of doors in the finale, I know one thing above all: I want more and I am glad that I am not alone in that. Season 2 – 60% – A forgiving assessment that goes hand in hand with polished visuals, captivating performances, and special effects that turn each episode into an event. However, in combination with the almost insulting pace and the need for shocking twists in the finale, the second season is possibly the biggest disappointment of recent times. HBO's attempt to turn Dolores into a new poster Daenerys Targaryen is absurdly forced, especially since her storyline perhaps gained significance only at the very end. Otherwise, the whole endeavor paradoxically loses strength the better we get to know the main characters. It's as if these creations, by losing their influence, have lost their mystery and have become two-dimensional figures with no surprises hidden in their progress or apparent development. Without William's memories, I would definitely rate it lower. Like this, I consider the second ten episodes a misstep that is still redeemable. Season 3 – 85% – I can't remember the last time a new character became the savior of an established series. The human element of unpredictability is brought by Caleb, portrayed by the brilliant Aaron Paul, and it is thanks to him that the symbiosis of philosophical ideas, meticulously crafted shots, and thoughtful action works. Despite its breakneck pace and reliable cast, it's not a knockout despite its breakneck pace and reliable cast because the friction between Dolores and Maeve is perhaps a bit too calculated and the trajectory towards the divine machine is too straightforward. Nevertheless, I was pleasantly surprised by how much I look forward to the regular dose of robotic emotions and savor every twist. For some, the line between good and evil may be too clear-cut, but I am happy that one of the most ambitious shows of today is not afraid to come closer to the viewer with such a decisive step. (06/12/2016)