Biografia
In 1976 the French newspaper Le Monde heralded Chantal Akerman's Jeanne Dielman 23, quai du commerce, 1080 Bruxelles as the first masterpiece in the feminine in the history of the cinema. The unconventional style and subject made the film a powerful sign of a decade when feminism erupted into the arena of politics and film. Akerman the filmmaker came of age at the same time as the new age of feminism, and her films became key texts in the nascent field of feminist film theory. Feminism posed the apparently simple question of who speaks when a woman in film speaks (as character, as director ...); Akerman insisted convincingly that her films' modes of address rather than their stories alone are the locus of their feminist perspective. The many arguments about what form a "new women's cinema" should take revolved around a presumed dichotomy between so-called realist (meaning accessible) and avant-garde (meaning elitist) work; Akerman's films rendered such distinctions irrelevant and illustrated the reductiveness of the categories.
Professor Janet Bergstrom, UCLA, in Sight and Sound Born in Brussels, Belgium in 1950, Chantal Akerman is a filmmaker whose work gives new meaning to the term "independent film." An Akerman film is an exercise in pure independence, pure creativity, and pure art. The viewer must give him- or herself over completely to the experience of the film, to watch with open eyes and an open mind. To label Akerman's work minimalist or structuralist or feminist is to miss most of what she is about. Strong themes in her films include women at work and at home, women's relationships to men, women, and children, food, love, sex, romance, art, and storytelling. Each Akerman film is a world unto itself and demands to be explored on its own terms. Her films are the subject of two books: Identity and Memory: The Films of Chantal Akerman by Gwendolyn Audrey Foster and Nothing Happens: Chantal Akerman's Hyperrealist Everday by Ivone Margulies.
Realizadora
Filmes | |
---|---|
2011 |
A Loucura de Almayer |
2007 |
O Estado do Mundo |
2004 |
Demain on déménage |
2000 |
La Captive |
1996 |
Um Divã em Nova Iorque |
1991 |
Contre l'oubli |
Nuit et jour |
|
1989 |
Histoires d'Amérique |
1986 |
Golden Eighties |
Letters Home |
|
Seven Women, Seven Sins |
|
1984 |
Paris vu par... vingt ans après |
1983 |
L'Homme à la valise (filme de TV) |
Les Années 80 |
|
1982 |
Toute une nuit |
1978 |
Les Rendez-vous d'Anna |
1975 |
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles |
1974 |
Je, tu, il, elle |
Séries | |
---|---|
1994 |
Tous les garçons et les filles de leur âge |
Portrait d'une jeune fille de la fin des années 60 à Bruxelles (E03) |
|
1993 |
Monologues |
Documentário | |
---|---|
2015 |
No Home Movie |
2009 |
À l'Est avec Sonia Wieder-Atherton (filme de TV) |
2006 |
Là-bas |
2002 |
De l'autre côté |
1999 |
Sud |
1996 |
Chantal Akerman by Chantal Akerman |
1993 |
D'Est |
1989 |
Homage for Hubert Bals |
Les Trois Dernières Sonates de Franz Schubert |
|
1983 |
Un jour Pina m'a demandé (filme de TV) |
1980 |
Dis-moi (filme de TV) |
1976 |
News from Home |
1972 |
Hôtel Monterey |
Curta-metragem | |
---|---|
2023 |
Chantal Akerman: Her First Look Behind the Camera |
2010 |
On bosse ici ! On vit ici ! On reste ici ! |
2008 |
Women from Antwerp in November |
1997 |
Le Jour où... |
1993 |
Le Déménagement (filme de TV) |
1989 |
Trois strophes sur le nom de Sacher |
1986 |
La Paresse |
Le Marteau |
|
Mallet-Stevens |
|
1984 |
Family Business: Chantal Akerman Speaks About Film (filme de TV) |
J'ai faim, j'ai froid (filme de TV) |
|
Lettre d'un cinéaste : Chantal Akerman (filme de TV) |
|
New York, New York bis |
|
1973 |
Hanging Out Yonkers |
Le 15/8 |
|
1972 |
La Chambre |
1971 |
L'Enfant aimé ou je joue à être une femme mariée |
1968 |
Saute ma ville |
Argumentista
Filmes | |
---|---|
2011 |
A Loucura de Almayer |
2004 |
Demain on déménage |
2000 |
La Captive |
1996 |
Um Divã em Nova Iorque |
1991 |
Nuit et jour |
1989 |
Histoires d'Amérique |
1986 |
Golden Eighties |
Seven Women, Seven Sins |
|
1984 |
Paris vu par... vingt ans après |
1983 |
L'Homme à la valise (filme de TV) |
Les Années 80 |
|
1982 |
Toute une nuit |
1978 |
Les Rendez-vous d'Anna |
1975 |
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles |
1974 |
Je, tu, il, elle |
Séries | |
---|---|
1994 |
Tous les garçons et les filles de leur âge |
Portrait d'une jeune fille de la fin des années 60 à Bruxelles (E03) |
|
1993 |
Monologues |
Documentário | |
---|---|
2015 |
No Home Movie |
2009 |
À l'Est avec Sonia Wieder-Atherton (filme de TV) |
2006 |
Là-bas |
2002 |
De l'autre côté |
1999 |
Sud |
1993 |
D'Est |
1976 |
News from Home |
1972 |
Hôtel Monterey |
Curta-metragem | |
---|---|
2008 |
Women from Antwerp in November |
1973 |
Hanging Out Yonkers |
Le 15/8 |
|
1972 |
La Chambre |
1971 |
L'Enfant aimé ou je joue à être une femme mariée |
Atriz
Filmes | |
---|---|
2016 |
Porto |
1985 |
Elle a passé tant d'heures sous les sunlights... |
1983 |
L'Homme à la valise (filme de TV) |
1980 |
5 % de risques |
1977 |
The Camera: Je or La Camera: I |
1975 |
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles |
1974 |
'Rameau's Nephew' by Diderot (Thanx to Dennis Young) by Wilma Schoen |
Je, tu, il, elle |
Documentário | |
---|---|
2023 |
Jeune cinéma - i.a. |
2021 |
Morceaux de Cannes (filme de TV) - i.a. |
2019 |
Delphine et Carole, insoumuses (filme de TV) - i.a. |
2016 |
Mais ailleurs c'est toujours mieux |
2015 |
I Don't Belong Anywhere : The Cinema of Chantal Akerman |
No Home Movie |
|
2010 |
Guest |
Sodankylä ikuisesti (série) |
|
2008 |
40 x 15 |
1988 |
Les Ministeres de l'art (filme de TV) |
1976 |
News from Home |
1975 |
Autour de Jeanne Dielman |
Curta-metragem | |
---|---|
1997 |
Le Jour où... |
1984 |
Lettre d'un cinéaste : Chantal Akerman (filme de TV) |
1973 |
Le 15/8 |
1971 |
L'Enfant aimé ou je joue à être une femme mariée |
1968 |
Saute ma ville |
Cinegrafista
Documentário | |
---|---|
2015 |
No Home Movie |
2006 |
Là-bas |
Artista
Programas | |
---|---|
2016 |
The 88th Annual Academy Awards - i.a. |
1992 |
Le Cercle de minuit |
1975 |
Les Rendez-vous du dimanche |
Editora
Documentário | |
---|---|
1975 |
Autour de Jeanne Dielman |
Clube de fãs
(26)- Traffic realizadora
- Hortensia realizadora
- red_desert realizadora
- ad-k realizadora
- prelud_ realizadora
- Dionysos realizadora
- Sternenhoch realizadora
- Dikaiarchos realizadora
- 1frida2 argumentista
- Vodou realizadora
- ra1n realizadora
- Pevek2 realizadora
- danielle.h realizadora
- Ondrej_S. realizadora
- Frankstein argumentista
- ageller realizadora
- ema.se.ma argumentista
- Themyth argumentista
- Themyth realizadora
- Smutenka argumentista