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“Sometimes I think we should break up,” Michael tells Dina, with whom he has spent five happy years. Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… Thirteen episodes map out the protagonists’ coexistence after Dina dispels her boyfriend’s misgivings and takes a firm decision on the future of their relationship. Dietrich Brüggemann once again presents a critique of social values and attitudes, this time focusing on the generation of 30-somethings who appear to have it all, yet fail in their attempts to achieve their set ideals. Despite its characteristic barbed tone, the provocative filmmaker’s new picture is a testimony of love and the responsibility that comes with it, likewise of the endeavour not to lose sight of it. (Karlovy Vary International Film Festival)

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Críticas (3)

Goldbeater 

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português Alguma coisa me diz que esta reação ao filme vai escrever-se sozinha. A projeção de duas horas do filme passou rápido? Não! O humor seco alemão pareceu-me pelo menos um pouco engraçado? Não! Estava interessado nos personagens e nos seus problemas? Não! Recomendaria este filme universalmente a todos os espetadores? Não! Mas para não me limitar a insultar, um dos treze capítulos pareceu-me realmente engraçado e com um bom clímax, mais especificamente o episódio do funeral. Mas foi apenas um pequeno impulso de entusiasmo num filme que, de resto, trata de relacionamentos verdadeiramente secos e que deu a sensação de duração infinita. Por outro lado, a maior parte da sala riu-se todo o tempo. Por isso, é provavél que, simplesmente, não seja um filme para todos. Se eu daria uma segunda oportunidade depois de algum tempo? Eh. Não! [KVIFF 2021] ()

J*A*S*M 

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inglês Brüggemann is a festival name I remember thanks to Stations of the Cross, and when I see it in the programme I pay attention. I would not recommend him to devote his creative time to comedy in the future, though, German is not a funny language and it takes a lot of feeling for a German film to be really funny instead of just awkward – as far as I can remember, perhaps only Maren Aden in Toni Erdmann was successful. Brüggeman, unfortunately, was far from it. It has bad timing, a weird theatrical stylization that makes the German seem even more artificial and dry than if the characters were speaking normally, and when it does manage a laugh-out-loud moment once in a while, it's due to a lack of sense of proportion, like the shock at the ultrasound, which is repeated four times to be sure, probably so it wouldn’t go unnoticed or something. ()

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Detektiv-2 

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inglês If you are not 30-something and don’t have any kids, this would probably be a waste of time for you. No plot, extremely dry comedy that lacks chemistry between characters, with utterly awful music and it’s more like marriage guidance counseling session than a movie. The jokes are often absurd, simply nonsense… I must honestly say that, to my surprise, half of the cinema was having fun, a quarter was sitting there dumbstruck, and the last quarter actually walked out. ()

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