Ninguém Sai Daqui Vivo

Either I'm resistant to fear (which I don't think so), or contemporary filmmakers are incapable of making an actual horror movie. The basis was good; there was a haunted house and an even scarier stone box, and… that’s it. The filmmakers were obviously trying to create an atmosphere full of tension, but they failed in this respect. I was quite bored by the film. The pair of hideous, murderous, white heterosexuals did fit the current trend, but I would have been more scared of Greta. And the monster? It was more funny than scary, but if I were a virgin, I'd probably stay one and steer clear of women. (12/01/2022)

No One Gets Out Alive, not even those who came out of the Midnight Mass. A horror film that is disgustingly underrated here and needs a bit of a revival and a phoenix boost. Santiago Menghini has shown he has talent and what seemed like an ordinary ghost movie (atmospheric in a few sequences, there are definitely some functional scares for some) gradually morphs into light exploitation crossed with monster horror. Yeah, that's not on my menu every day. The monster looks stunning, and the final twenty minutes are pleasantly gritty and intense, as if Pascal Laughier had come running to the rescue to remind us of his Ghostland. Small, likeable, unpretentious, nicely shot and I'll gladly throw a star up for the awesome finale. A slight resemblance to The Ritual and sacrifice as well, reminiscent of Aztec civilization. Story 3/5, Action 3/5, Humour 0/5, Violence 3/5, Fun 3/5 Music 3/5, Visuals 4/5, Atmosphere 3/5, Suspense 3/5, Emotion 1/5, Actors 3/5. 7/10. (29/09/2021)