Priscilla
Realização:
Sofia CoppolaArgumento:
Sofia CoppolaCâmara:
Philippe Le SourdMúsica:
PhoenixElenco:
Cailee Spaeny, Jacob Elordi, Ari Cohen, Dagmara Dominczyk, Tim Post, Lynne Griffin, Dan Beirne, Rodrigo Fernandez-Stoll, Dan Abramovici, Tim Dowler-Coltman (mais)Streaming (1)
Sinopses(1)
Quando a jovem Priscilla Beaulieu conhece Elvis Presley numa festa, ainda não antecipa o lugar que a estrela mítica do rock-and-roll ocupará na sua vida íntima: uma paixão emocionante, um aliado na solidão, um melhor amigo vulnerável. Através dos olhos de Priscilla, Sofia Coppola narra o lado menos conhecido de um grande mito americano e traça um retrato profundamente comovente, arrebatador e detalhado de uma história de amor, fantasia e fama. Inspirando-se no livro de memórias de Priscilla Presley, a realizadora procurou examinar “o modo como Priscilla se torna quem é e o que significa ser mulher para ela e para a geração seguinte. Ela vive muitas das mesmas experiências que todas as jovens mulheres vivem ao longo do processo de entrar na idade adulta, mas num ambiente grandioso e invulgar. A história de Priscilla é, simultaneamente, única e extraordinariamente familiar". (Medeia Filmes)
(mais)Críticas (2)
After Elvis, it's the turn of Priscilla! The film about and according to the wife of the King of Rock 'n' Roll had a solid premise and it's quite a shame that the final product keeps itself pretty much at bay. We follow Elvis and Priscilla's relationship from its somewhat haphazard beginning, through its turbulent "powderkeg" course, to its bittersweet conclusion, yet overall the action on screen left me feeling quite calm. Cailee Spaeny had no problem portraying Priscilla across nearly fifteen years due to her youthful appearance; Jacob Elordi didn't quite fit the role of Elvis for me, but I must admit he had a great accent. To be honest, I didn't get any emotion until the end of the film - and that was really only because of Dolly.
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The costumes are great, the acting is unsurprisingly good (Jacob Elordi as Elvis is a hit), but the story is sterile. I know this is a film by the already mature Sofia Coppola, but still… Maybe I was expecting a return to the slightly wilder waters of Marie Antoinette's time? If you have already seen a romance or two, the development of Priscilla's relationship with Elvis will be fairly predictable without ever having heard of them before. Therefore, you have no choice but to look at the nice interior design. Thankfully, there aren’t any downright deaf spots, but for this intimate film being just under two hours long, I didn't learn noticeably more than I did last year from Baz Luhrmann about Priscilla's relationship with the King of Rock 'n' Roll.
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