Padre

Um filme B épico de ficção científica que me levou, sem nenhuma hesitação, a um mundo cinematográfico entusiasticamente imaginário com os seus belos cenários, trajes a voar espetacularmente fotografados e motocicletas a atravessar desertos áridos, e geralmente com aquela atmosfera sombria e gótica omnipresente. Padre é um filme mais de banda desenhada do que a maioria das adaptações cinematográficas das bandas desenhadas. Que é uma fusão dos mundos familiares de Blade Runner e de Mad Max, completado por uma ação obviamente no estilo de Matrix, não me interessa, porque se pode sentir a paixão do diretor pela causa e a admiração indisfarçada pelos clássicos acima mencionados. A história é devidamente simples e rápida, às vezes faltam as informações, outras vezes é atenta aos detalhes de seguimento com os quais um mega-filme A não se importaria. Os personagens dos sacerdotes Bettany e Maggie Q são bem-feitos, tal como o é a química entre eles. A música de Young é excelente, dando ao filme uma energia infernal. Se tudo isto soa demasiado positivo, é porque recebi consideravelmente mais do que esperava após todas as revisões. (14/09/2011)

Bland and flavorless, no suspense, cliché upon cliché that you can't even digest properly because the movie just won't let you, Cam Gigandet can't act, and the ending is a waste. The music didn't impress either. And I kinda regret the money I paid for it. The action was slow, and it wasn’t really any good. The vampires weren't that great, either. It's just a very, very weak film. Somehow, after sleeping it off, I can't even remember what (if anything) I enjoyed about it... (14/05/2011)

Better than Legion, but not by much. Technically, I had no reservations (except for the bungled fight with the hive guard), I liked the individual scenes and ideas, but together it didn't work. I was probably most annoyed by the pitifully small amount of space given to Karel Urban, whose villain would certainly have deserved a bigger exhibition. The whole thing (except for the music and visuals) looks like a classic B-movie, but I doubt the filmmakers wanted to make something like this. Two and a half stars. (07/06/2011)

Scott Charles Stewart didn’t learn anything from Legion and delivers another piece of incredible bullshit with a serious face. This film is 100% immune to being taken seriously. It’s clear that the director wanted to make something cool and badass, but failed spectacularly. It’s so easy to ridicule that it doesn’t even bring any pleasure, its stupidity is just annoying. There’s one cliché after the other, it lacks all logic, and the script doesn’t have any surprises (the silly shocking twist at the end will be clear to anyone who has ever watched at least a couple of films or one soap opera). It pissed me off even more than Legion because I paid 109 CZK for Priest ticket and got wet on the way back home. (13/05/2011)

I can follow up on the end of my comment for Legion, where I said that the director should throw away the Bible and the special effects software because he’s not very good at either. Priest just adds to that because I haven't seen such misery, which layers desperately unimaginative action scenes (the most annoying series of slow-motion sequences of the year!) into a horribly illogical and uninteresting whole, since... well, since Legion. I feel a bit sorry for Paul Bettany, who goes all in, this time joined by Karl Urban. Yet the rest of the film simply ruins things, which beats even the last drop of the audience’s effort to watch it as a completely dumbed-down post-apocalyptic B-movie with vampires. Pushing such "shit" in theatres in 3D is bold - asking for admission is audacious. (10/06/2011)