The International

  • Alemanha The International (mais)
Trailer 1

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Interpol agent Louis Salinger (Clive Owen) is determined to expose an arms dealing ring responsible for facilitating acts of terrorism around the globe. But as his investigation leads Salinger and his partner, Manhattan Assistant District Attorney Eleanor Whitman (Naomi Watts), deeper into the secret world of greed, corruption and murder, they become targets of a deadly conspiracy so vast, they soon find the only people left to trust are each other. (texto oficial do distribuidor)

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Trailer 1

Críticas (12)

POMO 

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português Um filme de espionagem paranormal decente, embora um pouco falador, com um excelente tiroteio. Não há muito para analisar nos personagens aqui, e por isso a linguagem corporal expressiva de Clive Owen é ainda mais agradável. Pois, é o tipo de personagem de agente certo para ele. A cara da Naomi só faz sentido de uma forma de marketing, no cartaz. O enredo é um pouco exagerado, mas envolvente, e aos tons da música eletrónica silenciosa e pulsante, mantém-nos atentos (cruzar os dedos para um ousado simpático a enfrentar os manipuladores mais poderosos do mundo é simplesmente divertido). Há também uma casa arquitetonicamente deslumbrante nas rochas, como algo fora de filmes de Bond. Não acontece nenhum Bourne novo, e Michael Clayton aprofundou-se mais, mas com A Intérprete de Pollack, esta encomenda comercial de Tykwer tem muito em comum. ()

novoten 

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inglês Tykwer definitively becomes a polymath who can inventively shoot any genre, but this time I can't fathom it from his hand. The guide to the world of frauds does it with ease, but at the same time, every time the viewer catches up with the screenwriter in twists and turns, it adds another twist and shows that this time it won't lend a helping hand to those lagging behind. Positive impressions are mainly gained by Clive Owen, once again in the role of an indefatigable hitchhiker. In his performance, the perfectly escalating shootout without exaggeration becomes a legendary scene. ()

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DaViD´82 

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inglês A bureaucracy bound James Bond from the financial world. Tykwer approaches this untraditionally, almost unwatchably. I was expecting something like Michael Clayton in a different environment with scores of attractive locations. And I got Michael Clayton in a different atmosphere with scores of attractive locations. The only action scene is absolutely fantastic (not just due to the choice of locations), but it is completely out of place in this movie. A calm, serious tempo where even the nerve-racking chases happen at brisk walking pace and all of a sudden we get an action movie like from John Woo, and with humor to boot! And then a return to the slow, but in no way boring tempo. If the Whitman character weren’t so superfluous and those several rather laughable genre clichés (it applies that they might not have mattered in a different movie, but here they are simply eyesores), then I would have enjoyed Tykwer’s idea of a thriller, and raised no objections. ()

Isherwood 

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inglês Tom Tykwer, clearly impressed by the recent "Bond films" and the "Bourne Trilogy," decided to make his own contribution to the theme of lone agents standing up to powerful multinational organizations, and the result is a very unconventional, yet impressive spectacle. Although the characters are in constant motion, the locations change and the plot moves along briskly. Tykwer's storytelling is surprisingly sparing, slightly distant (the almost fetishistic emphasis on modern architecture), and relatively slow-paced (except for the unique shootout, which is unparalleled). Yet, amazingly, it all works. After seeing a film like this, one can only get the impression that banks are the evil of this world - if one has forgotten that they caused the current economic crisis. :) PS: The reference to The Jackal pleased me. Power. ()

Zíza 

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inglês While it looks like an action-packed romp, except that it's not action, unless you count the shootout in the gallery, which is the only one that really caught my attention. Otherwise? Not that great. I'd give it 2 stars, but because it ends quite realistically and believably, indeed it's all pretty believable in general (their injuries, for example – they really are injured, they go to the doctor and don't miraculously recover from their injuries in the next scene). So I really appreciate that about this film. Then there's also my favorite actor starring – another plus. The romance wasn't there, which may be a shame for the viewer's attention span, but maybe that's what really makes the film more believable... anyway, check it out if you like Clive and if you like the worker ant wanting to bring down the supervillain corporation. ()

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