Não tenha medo do escuro

Um dos temas de horror mais comuns, recontado sem a mínima tentativa de ser diferente ou melhor. As crianças, que mais apreciariam o filme, não serão levadas ao cinema pelos seus pais, e preferirão histórias de fantasmas de adultos como Os Outros. Para quem é destinado este conto infantil de pequenas criaturas peludas da cave, afinal? O final vulgar da história é tão desanimador que não há vontade de elogiar o filme mesmo pela sua atmosfera decente ou pela sua câmara bem movimentada. (27/09/2011)

One of the most anticipated American horror films of the year fell a couple of steps short of my expectations. Don't Be Afraid of the Dark has three fundamental problems: 1) The script is just a UHS (universal horror script), the kind we’ve seen innumerable times with some minor alterations. This genre allows for films to be unoriginal, but in this case, the ubiquitous predictability was annoying at times. 2) The utterly incomprehensible creative strategy regarding the origin of the evil. Instead of letting the viewer ponder about what’s really going on for most of the film (are there ghosts in that house? Is there someone else living there besides the protagonists? Is little Sally a dangerous psychopath?), all the mysteries are revealed already in the first scene before the opening credits, and if that wasn’t enough, the credits also include some lines about the mythology of the creatures, which is only slightly developed during the film. 3) The creatures and their mythology. The small-eyed, hostile CGI elves didn't look nasty to me, no matter how much I tried. At most, they are scary in a cute fairytale way (and if they weren’t so noisy, I would put one of them in a cage instead of my hamster, which I would never think of doing with Alien). And then they turn out to be some sort of ancient species that a thousand years ago even concluded a peace treaty with the Pope… I don’t know if this creative contribution to the original TV horror film from the 1970s is in any way beneficial. // But I’m willing to accept these shortcomings because, technically speaking, the film is very good, the actors performed their undemanding roles very well, the atmosphere of an old abandoned building is effective and there’s plenty of tension. A decent genre snack that it’s nice to watch; no more than that. 7/10 (16/09/2011)

While nothing beats the opening climactic scene (which I suspect was directed by Guillermo del Toro himself) for creepiness, Don't Be Afraid of the Dark is still a decent horror film with good atmosphere and excellent music. It is spoiled only by a few incomprehensible situations, such as this one: something really unexpected and really bad happens to someone, the police come to investigate, leave, and from then on everyone doesn't care how or why it could have happened to that person. (12/05/2016)