Realização:
Miroslav KrobotCâmara:
Jan Baset StřítežskýElenco:
Tatiana Dyková, Lenka Krobotová, Johanna Tesařová, Ivan Trojan, Jaroslav Plesl, Simona Babčáková, David Novotný, Hynek Čermák, Lukáš Latinák, Ján Kožuch (mais)Conteúdos(1)
In a small village in the mountains of Moravia lives Maruna (35), who works at the local pub, takes care of her dictatorial mother, and has several affairs among the local men without, however, finding love. Maruna's sister is more ambitious, and when she has a chance to leave the village she takes it. For Maruna, the village is her destiny – one that she can never be separated from. Also living in this sleepy hollow are two forest workers who share the same woman, with whom they live together in an old cottage. The whole village knows their arrangement, and in a way tolerates it. But one day, the woman disappears and is later found murdered. For just a moment, the village's usual calm atmosphere is disturbed, but otherwise everything remains in its routine. When Maruna gets pregnant, she suddenly realizes that her life is too much like her mother's. The circle is closed. (texto oficial do distribuidor)
(mais)Vídeos (4)
Críticas (7)
A falta de um enredo complexo, o ritmo lento e a câmara na sua maioria estática sublinham o minimalismo e a banalidade da aldeia da Morávia e refletem o estilo de vida tranquilo e relaxado dos seus habitantes. Miroslav Krobot conseguiu realizar a sua visão clara em absoluto, o que é uma prova das suas capacidades criativas e de direção. Contudo, não é uma visão particularmente divertida, pois capturar com sucesso a atmosfera dos recantos remotos de Jeseník através de alguns fragmentos dos destinos dos aldeões peculiares não é suficiente para uma longa-metragem. Além disso, não esperem nada de engraçado. É um olhar realista sobre o microcosmo de uma aldeia e, ao mesmo tempo, uma expressão autoral de Miroslav Krobot, que certamente não se envergonhou com o seu primeiro filme. Mas um certo grau de desapontamento não pode ser ocultado.
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Um nada filmado com concentração. Quanto mais esses filmes forem feitos, mais a comédia essencial do cinema checo se tornará The Inheritance de Chytilová. Nowhere in Moravia não tem uma única cena tão apta e engraçada como The Inheritance, que está repleta de coisas a transbordar.
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(49th KVIFF) The relatively bizarre portray of Czech rednecks, with almost Twin Peaks dimensions even, and a funny joke here and there are a plus. However, like many other Czech films, Nowhere in Moravia is missing a clear theme or plot, something that is manifest, for instance, by the fact that almost any of the scenes of the last twenty minutes could have easily been the last, and nothing would be left unsaid (because, they actually never had anything to say). Most of the humour, as it’s the unpleasant habit in Czech movies, follows the template of famous actor speaking foully or behaving like an idiot = funny. Though, to be fair, the template here is enriched with the Moravian dialect. What an innovation.
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A few interesting scenes and forcing yourself into deadpan poetics are not enough when the film relies on the classic pillars of Czech comedy: rednecks, pussies, vulgarisms, sweaty sex, and stars playing in "comic disguises". Add to that stupid stereotypes and the invention of a new form of dialect, which is the only thing that Krobot excels at. Nowhere in Moravia offers the misery of Czech cinema in full, but in a slightly more acceptable packaging.
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An admirable performance in the discipline of "depicting a village stereotype," which simply cannot be titled anything other than another stereotype: "It’s good for Prague people," which is all the more disappointing because Krobot is a native of the region and in fact denies in such a fundamental way what he should understand best. The Prague actors spout dialect and vulgarisms through their teeth in a dysfunctional way and function only as wearers of great costumes. Yet it's an indescribably sad story, where the writer and producers seem to have realized at the last minute that the film would sell better as a redneck comedy. Fail.
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