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Teenage Dora (Chloe Rose) must survive a Halloween night from hell when malevolent, pint-sized trick-or-treaters come knocking at her door. She gives them candy but these little hellions want more... much more. You see, they've discovered Dora is pregnant and they want the life growing in her belly. Alone and under siege, Dora must protect herself and her unborn child as these homicidal pranksters hack, slash and chop their way through walls, doors and passers-by. (Monster Pictures)
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Uma confusão de sonho em que nada faz sentido e nada nela funciona quer em termos de suspense, quer em termos de mundo «fantasioso». Além disso, com os piores visuais possíveis, com filtros baratos, que supostamente lhe deveriam dar uma atmosfera única. E uma banda sonora eletrónica de mau gosto. Engravidar aos dezassete anos deve ser mentalmente deprimente e confuso, mas esta encarnação cinematográfica super barata desse estado é uma tentativa muito má. A menos que esteja a tripar no LSD ou em cogumelos diariamente.
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This experience is hard to describe, but the predominant impression is something between fascination, interest and facepalm. The closer it gets to the ending, the worse things are. The beginning is not too shabby, though, McDonald delivers a pretty creative and scary picture, which unfortunately crumbles in his hands after some time. The moment it switches to… well, actually, I don’t know what that was exactly, some sort of dream reality, perhaps?… you loose the bearings of the plot and the rules that apply to it. On top of that, there are so many approaches at play and they could result in anything from a brutal home invasion or a poetic feeling, to a bizarre surrealist thing, but all those things together are actually weird. In any case, Hellions has a couple of interesting scenes and the film is worth watching to make your own opinion. It’s certainly one of the most interesting new things around, even if I’m far from an explicit compliment.
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