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Aleksey German Jr. pela primeira vez, vira a sua câmara para a sua cidade natal, Leningrado, nos anos 70, para mergulhar no burburinho quotidiano de uma franja de intelectuais soviéticos dissidentes, Sergei Dovlatov, Joseph Brodsky, entre outras referências a reconhecidos gigantes literários do século XX, que não passarão despercebidos (Yevtushenko, Mandelstam, Steinbeck, Nabokov). (Leopardo Filmes)

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inglês Russian culture has always functioned as a social forum - and Dovlatov is no exception. The contrast between the very literal dialogues and the typically "Germanic" mise-en-scène, this time captured in suffocating detail, is somewhat irritating - as if Dovlatov was as inaccessible as an overly rhetorical work. A spectator unfamiliar with the reality may get lost in that fog and flood of fragments. But if you're at least a little interested in the relationship between writers and power in Russia, German's film is chic and captivating, albeit a somewhat protracted spectacle with a great protagonist who struggles with misunderstanding, inner weakness and the temptation to sell himself to the regime. ()