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For what would prove to be his final film, Iranian director Abbas Kiarostami gave himself a challenge: to create a dialogue between his work as a filmmaker and his work as a photographer, bridging the two art forms to which he had dedicated his life. Setting out to reconstruct the moments immediately before and after a photograph is taken, Kiarostami selected twenty-four still images—most of them stark landscapes inhabited only by foraging birds and other wildlife—and digitally animated each one into its own subtly evolving four-and-a-half-minute vignette, creating a series of poignant studies in movement, perception, and time. A sustained meditation on the process of image making, 24 Frames is a graceful and elegiac farewell from one of the giants of world cinema. (Criterion)
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Críticas (1)
24 imagens animadas ou imagens estáticas movidas por movimento e som. Os animais e as pessoas colocados num ambiente predominantemente natural de prados e costas, afetados por condições meteorológicas variadas. Cada imagem é de uma cor característica, bastante cinzenta a mais sombria. Sem luz solar. Kiarostami acrescenta espaço-tempo e ação aos momentos que os pintores captam num único instante. O quadro 21 para mim é claramente o melhor.
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Photo © Moscow International Film Festival
