Mundo Jurássico: Domínio

O regresso dos protagonistas do primeiro Parque Jurássico foi um deleite, eles ainda são os simpáticos e entusiastas cientistas que amam os dinossauros. Atrair o espetador para um mundo do qual os dinossauros já são uma parte estabelecida é fixe. O covil do contrabandista em Malta e a longa ação lá, dão um bom pontapé inicial ao filme. Perseguições de telhados e motos nas ruas, tal como as conhecemos dos filmes Bourne e Bond, atualizados com velociraptores... porque não! Mas o resto, no qual somos transportados apenas para uma reserva diferente do primeiro filme, é um elemento reciclado vacilante do que já vimos, e de uma forma pouco excitante, com um vilão disfuncional Tim Cook, apoios lógicos e disparates indignos da série de filmes. E com a única cena maravilhosamente filmada que faz lembrar Spielberg (o mergulho na lagoa). Infelizmente, é curta. O filme mais fraco de toda a série. (08/06/2022)

It is difficult to maintain the pace for more than one scene and except for the surprisingly grandiose and repeatedly escalating difficulties in Malta, it is impossible to immerse yourself in the plot. Every beautiful shot is accompanied by a stupid line or an exaggerated stretch of logic. It can only be understood as a genre retreat to certainty. Colin Trevorrow once again churns out a variation on his own Jurassic World and the original park and navigates the classical waters of adventurous chases with a megalomaniac human antagonist on the side. Perhaps that's why I liked the over-the-top, controversial, but perfectly different Jurassic World: Fallen Kingdom. The powers that be are returning to the model of an attraction that fulfills its purpose, showing exactly the dinosaurs that the audience expects, linking the fates of characters we want to see intertwined – and surprisingly, even this time it is enough by a hair's breadth. Once it reaches its almost hour-long finish, everything is finally in its place and I get a sense of closure of the new trilogy and the complete hexalogy. And that is ultimately what I came for in the first place and the last place. 70% (21/06/2022)

A totally unworkable plot of repetitive action scenes that jumps like a flea only to finally retell what has been told several times before, but in a much more clumsy and emotionless way. The screenplay is a disaster, the direction of the action scenes follows the Bourne Bond axis, but it is not very skilled at that either. In the end, it's a mix of cluttered dinosaur MMA and Sir Attenborough having a severe stroke. (08/06/2022)

The conclusion of the dinosaur trilogy will be a commercial success. Disappointment prevails among the critics, but I am satisfied. For my money, it's certainly more entertaining and engaging than the sequel, which as is usual with sequels that are just filler for the finale. The first hour impresses in the form of news, where the dinosaurs get to our civilization and their way of living with us, this entertained me a lot. The plot then moves to Malta, where the film incidentally climaxes with a half hour action dinosaur romp, quite possibly the best dinosaur action sequence ever, though it is all too similar to Bond or MI, but a motherfucking ride nonetheless. The finale is about 40 minutes long and it's properly spectacular, there's a horror atmosphere conjured up in places (the mutant locusts are great), there are plenty of genetically modified dinosaurs which I welcomed, the central little girl isn't annoying, the nostalgia and emotion works, and, most importantly, it reminded me of my favourite PS1 game “Dino Crisis 2” in the locations, the action and the detail, which I ran through about 15 times as a kid and I take it as a tribute. A few things could have been done better, but what the hell, it's the only dinosaur franchise that's quality and there's definitely no competition anytime soon. I enjoyed it. Story 3/5. Action 5/5, Humor 3/5, Violence 0/5, Fun 5/5 Music 4/5, Visuals 5/5, Atmosphere 4/5, Suspense 4/5, Emotion 4/5, Actors 3/5. 8/10. (14/06/2022)

This is the recycling of the dinosaur movies where all the good has gone down the drain, leaving an unpleasant concentration of what is wrong with the Hollywood factory. The lazy script follows the same pattern for the sixth time, completely ignoring all the possibilities offered by the prehistoric monsters that are spread all over the planet. The joining of the new party with the old one features no surprises or a single spark. The parental theme is boring, and the only really full-blooded character is Kayla Watts (who maybe should have filled the quota, but she's a well-written and well-acted pilot)… Other than that it all goes on forever for two and a half hours. At the end, Ian Malcolm starts to spout a few catchphrases and unbuttons his shirt, and that’s about it. If it wasn't for the dessert in the form of the eaten guy on the electric scooter, which honestly made me laugh for about 5 minutes, I would award it the maximum misery. (29/06/2022)