Guns Akimbo

Uma arcada frenética com visuais espertos, efeitos visuais de qualidade, caracteres tangíveis e algumas reviravoltas inesperadas que manterão a atenção do espetador não alvo (isto é, a minha). Não é apenas a presença de Radcliffe que o eleva para um nível próximo de filme A, mas, mais importante ainda, um diretor que tem um talento para a dinâmica narrativa. Seria de esperar que fosse mais idiota. [Sitges FF] (05/10/2019)

A very gritty and crazy romp in which Daniel Radcliffe fights against a bunch of crazy killers led by Samara Weaving. It's full of blood and black humour, but once it slows down a bit, it turns out that it actually has very little to offer in the non-action scenes. (19/03/2020)

A sibling of Crank in which Statham is replaced with Harry Potter in a bathrobe with pistols nailed to his hands. The screenplay seems like it was written by a high-school kid who had just discovered Cypress Hill, but it’s filmed with eagerness and unbelievable ferocity. Its allure lies mainly in the visuals and the fact that it's action packed. It takes it a while to really get going, but it’s entertaining and enjoyable overall. It’s probably meant to be a sort of wake-up call to millennials to throw down their cell phones, grab their guns and go kill people. (05/03/2020)

A video game-like, punk, stylish and brutal coke-fuelled ride! Daniel Radcliffe wakes up with guns nailed to his hands and finds himself in a death-match against Nix, the ultimate female assassin (a great Samara Weaving, again in a completely different but excellent role). It's a very enjoyable guilty pleasure that sets a fast pace right from the start, the characters are properly wacky, blood is not spared, the jokes work and surprisingly it's not as silly as it might first appear. Good fun with video game references. 7/10. (03/03/2020)

The director of the entertaining metalhead horror flick Deathgasm picked up the gauntlet that remained lying on the action-movie battlefield following the breakup of Neveldine/Taylor. Guns Akimbo is a cyberpunk action comedy with video-game styling that borrows a lot from Crank and Hardcore Henry, though it fakes its sincere punk energy with fanboyishly phoney grittiness. It’s a shame that the film is unable to untangle itself from its nerdishly scraggly essence, which motivates not only its humour, but also its embarrassingly messianically self-reverent climax. (22/08/2020)