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  • USA The Fly
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A classic science-fiction/horror film about a scientist's "teleport" machines, which dissolve atoms in one place to recreate them in another. When the scientist unwittingly shares the machine with a common housefly, he turns into a hideous hybrid of man and insect--and begins to literally bug out. The scientist wants to reverse the process, but first he must catch that fly. (texto oficial do distribuidor)

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português Muito bonito. Escrito de forma inteligente e filmado de forma bela, com igual atenção aos personagens, ao mistério e ao horror. A cena de abertura estabelece o nível alto, seguido pelo suave desenrolar da teia de um grande mistério. Posso imaginar que Alfred Hitchcock, por exemplo, teria filmado o argumento ainda melhor, mas isso é uma blasfémia. A direção de Kurt Neumann está entre as melhores do género e do seu tempo. Um filme obrigatório para os conhecedores de cinema. ()

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inglês A likeable story structure that ends up in enthralment and psychological holes. Neumann knows how to deliver proper nastiness and generate tension, but he’s not very good when it comes to developing the core motifs of the story, so the transitions between each of the psychical and physical stages feel unconvincing. But thumbs up regardless for the unsettling aura of the second half and the effective twist in the end. 65% ()

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inglês If I had to compare, Cronenberg's remake is more nutritious in terms of horror properties, full of irresistible filth, but this prequel has a more elaborate story structure. During the first half an hour the director plays a paranoid game with the viewer (is this woman really crazy, or what the hell is going on?) and then, thanks to flashbacks, a horrible twist is revealed, where the brutal murder in the press is not the end of the story; on the contrary, the filmmakers prepare one more surprise, thanks to which the story turns 180 degrees. Some of the scenes are real top-notch horror, I would never have guessed how thrilling catching an ordinary fly could be, knowing that a human life is actually at stake, and it also has a unique science-fantasy dimension. The Fly became an important milestone in the development of cinematic science fiction as a whole. As many smart books state, this is the very first film to use the idea of nuclear fission and fusion, the idea that matter can be converted into energy and energy back into matter, exactly the same principle that was adopted 20 years later by Star Trek and its famous teleportation device. And if nothing else, this wonderful film gives us the revelation that flies like milk mixed with rum :o) ()

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