En Passion

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On a windswept, barren island, Andreas (Max von Sydow) lives simply and quietly until he becomes entangled with Anna (Liv Ullmann), a beautiful, mysterious widow, and a neighboring couple (Bibi Andersson, Erland Josephson) harboring their own sorrows and illusions. But soon, secrets from Andreas and Anna's pasts threaten to shatter not only their desperate attempt at love but their tenuous hold on reality as well. (texto oficial do distribuidor)


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todas as críticas do utilizador

inglês My second encounter with the hard-to-digest Ingmar Bergman was much better than The Seventh Seal. The film stands mainly on the acting performances and the difficult story of the crisis of interpersonal relationships. The inserted story with mutilated animals added to the film's stifling atmosphere. In short, a nice drama that doesn't fizzle out right after the end credits. ()


todas as críticas do utilizador

inglês Crippled animals, crippled souls. Guilt, punishment, responsibility. Nykvist goes into details, Bergman goes deeply into the dialogue. The proximity to the actors, their faces and feelings, evokes the impression of oppressive intimacy. The director closes us off with them in a single, austerely furnished room. Intruding on someone else’s innermost privacy is not pleasant, but you will want to remain inside instead of outside, where an animal killer and inclement weather rage. The island locations underscore the feeling of isolation, while it is the characters themselves who make life an obstacle course. Wherever they go, memories will follow them. Bergmen doesn’t torment only the viewer with the impossibility of escape, but also the actors, who are internally connected to their characters and forced to bear their sins. The interludes when the actors pretend that they are not acting are actually a warning from the filmmaker – doesn’t become too absorbed. That’s easier said than done. 80% ()


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