Realização:
Miroslav BambušekArgumento:
Miroslav BambušekCâmara:
Jakub HalousekMúsica:
Tomáš VtípilElenco:
Miloslav König, Karel Dobrý, Miloslav Mejzlík, Tereza Hof, Juraj Bača, Jakub Gottwald, Jiří Černý, Jakub Folvarčný, Tomáš BambušekConteúdos(1)
Sudetenland. Present. The grandson of a murdered factory owner is hired as a mystical guide to a wealthy old man’s fate. The curtly sketched wandering journey through a desolate landscape to the past reveals the roots of human brutality. Motives of personal morality, historical guilt for collaborating with the Nazis and redemption through revenge are unleashed in a phantasmagoric hallucinatory feria, a cruel dance of dehumanized figures driven to fulfillment by revenge, greed, and a faint vision of redemption. The historical allegory of Blood Kin, based on a real event, balances between documentary verisimilitude and expressive, surreal dramatization. (Ji.hlava International Documentary Film Festival)
(mais)Vídeos (1)
Críticas (2)
Uma narrativa bizarra e caótica de uma mistura de alucinações, flashbacks retro, cenas teatrais, imagens e animações industriais, trabalhando de forma experimental o tema do trauma da crueldade do pós-guerra na região fronteiriça checo-alemã. Um pouco como Stalker e um pouco como Habermann's Mill, mas realizado ao nível de um vídeo musical punk psicadélico, completamente afogado em simbolismo confuso e incompreensível. É muito fora do normal e não convencional, o que teoricamente pode ser uma vantagem para alguns, mas quaisquer outros valores não podem ser encontrados muito nele.
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The highly innovative approach to the topic of severe trauma caused by the post-war events in the village of Vitín is worthy of an award. I soon got used to the surrealistic style of storytelling pretty quickly, but I felt that the overabundance of psychedelic scenes unnecessarily distracted from the story. However, I really liked the artistry of some of the visual images. The acting performances were also of a very good level, especially Karel Dobrý as Otfried Hille was once again at his best. (65%)
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Galeria (5)
Photo © Aerofilms
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