novoten

Surprisingly repellent and unfunny compared to the first one. When I dared to watch the whole sequel, I realized that it doesn't deserve to be given the lowest rating, but I never want to see even a bit of it again. Starting with Scary Movie 2, they start trying to pass off as parody too much garbage with nothing to do with the once royal genre.

A movie that will always make me love time paradoxes. Michael J. Fox is cool whether he's skateboarding, playing guitar, tearing around curves with a car I always envied him for, or escaping back to where Jennifer is waiting.

My most emotionally laden film. With no other film have I experienced that the more times I saw it, the more times it brought tears to my eyes. Robert Zemeckis has forever stepped out of the "master of family films" box with this masterpiece, and millions of people will forever love Tom Hanks's elusive character. In other words, whether you are a sentimental person with faith in love, a skeptical melancholic who no longer sees joy, or perhaps a life-disappointed unhappy person, everyone can find themselves in Forrest. Is it too perfect of a film? Who cares, I am eternally grateful for it.

The tired Sleepless in Seattle is forgotten and Tom Hanks finally has the space to prove that he can shine in comedic roles as much as in more serious ones. Nora Ephron and Meg Ryan never surpassed this bookseller material, and the way the resulting funny correspondence still matures is the most eloquent result.

The mother of modern romantic comedies, which has never really won me over. The flawless Tom Hanks is desperately alone in his efforts, and I am utterly disappointed by the rest of the cast and their performances.

One of the moments when I realized that family values will always occupy one of the most important places in my life. And when Zdeněk and Jan Svěrák can portray themselves in their films, it is only logical that they can also portray each other as well. Every other monologue is touching, while the rest are overflowing with intellect, experience, and wisdom.

I understand Bernardo Bertolucci's obsession with the beauty of Eva Green, but when each openly erotic scene is slightly less effective than the previous one, this trio falls into a sadly forgettable average. The pleasantly nostalgic feeling disappears, the story drowns itself, and only occasional beautiful shots (such as Eva as Venus) can pull me out of excessive cramping. As a result, this dream leaves me completely unaffected, despite the fact that the entire form aimed much higher.

The hissing emperor, the entire scene about "Bigus Dickus," and especially the sermon after the fall from the hiding place – that is perhaps the best thing Monty Python has ever come up with. Nor does it even fall far behind Monty Python's Flying Circus.

How much does each of us hide? How much do we pretend in front of others and what will we do when we are exposed? What if his threats are not empty and the secret he reveals won't be the end of it? How quickly are we able to reassess our highest priorities when it comes to life, not just for ourselves, but also for those closest to us? It was a perfectly delicious pizza, and you're certainly going to wish you had accepted it.... Colin Farrell's perfect performance and the brilliant voice acting of the sniper in a film, which at the time had absolutely no competition. Even many subsequent screenings cannot change the fact that Joel Schumacher and Larry Cohen had surpassed themselves forever.

Plenty of shots of the jacked-up Will Smith and the awkward Martin Lawrence, a solid chase scene, a wannabe cool group of Haitians, and an excellent finish in the sand. But above all, plenty of missed references and shooting at seemingly all ethnicities or minorities. Michael Bay has lost his mind and while this is the most beloved installment worldwide, for me it is clearly the worst in the series.