novoten

Magic fades with age. And just as Peter Pan had to grow up, I see more and more negativity in Hook. Not only is the main hero stuck in an irritatingly unmagical shell for far too long, but children unpleasantly quickly forget about their parents, and in Neverland they even play baseball, which I consider to be the most treacherous anti-British betrayal by the screenwriters. Fortunately, the flying mood still remains in me because Tinkerbell has become more gentle with us, and Gwyneth Paltrow as the aging Wendy is something so charming that the enchantment of the storytelling cannot be expressed any better. As a result of 70% and rounding up for each of us who never wanted to grow up.

Funny story, lots of ideas, a snowman with lemon ice cream, incredibly cute Boo, slimy Randall, sweetly touching final scene, and one of the highlights that Pixar has managed to produce. The best fairy tales are always created where no one has dared to go yet. In a world of monsters that aren't so scary and where you're never sure where each door leads and who is waiting behind them.

The rapid change of genre, which turns Bond into a cold-blooded avenger, is one of the best ideas of the series. Additionally, Dalton is an exceptional actor and the action is breathtaking. My heart's 007.

Ridiculously exaggerated darkness, impossible exhaustion, and false grandeur in the foreground with an unshaped mountain of muscles. In fantasy, it is simply not enough to have just magic and a sword. Barbarically rough, maybe; barbarically stupid, too.

The most entertaining thing about Zemeckis is that you never know if his next work will receive the loudest applause and enchant the viewer with perfect filmmaking or if he will embarrass himself in a genre shootout and suddenly lose the respect of his fans with a gaping flaw. A horror without atmosphere, with an unfinished twist ending and several rather disturbing jump scares. Everything here is for the sake of effect, and unfortunately, completely out of place.

While I can nostalgically shed tears over the first part even today, and tolerate the second part as a routine unsuccessful continuation with all my might, I cannot overcome the third part and grit my teeth at its dementia. Some topics will always tempt us to repeat them over and over again.

This is how favorite childhood movies are destroyed. The fateful farewell ends deep in memories and a lengthy and overly complicated continuation of family adventures emerges, or alternatively, environmentally focused problems with a tanker arise.

Visually excellent and narratively pleasant spectacle, but it proves that even a British machine for unforgettable romantic comedy gems can get stuck. In my eyes, Wimbledon can never reach the quality of a Notting Hill, let alone a Heavenly Love. I don't mind that a potential hit turned out to be a forgettable snack. Rather, I have been thinking for a while about when exactly the time came when the main couple would just spend a night together shortly after meeting, instead of it being one of the emotional peaks. Not to mention that Paul Bettany is an excellent actor, but he absolutely does not fit as a romantic hero. Fortunately, Kirsten Dunst is as gorgeous as ever, and her lighthearted performance can cover up many plot hiccups.

I've been waiting long enough, and I got even more. Specifically, a perfectly intimate action drive, which has no equal in its genre. And even though the viewer knows well where the plot is heading, they gladly follow the path of agents, bosses, assassinations, and betrayals. The secret of the main character works superbly. And despite all the admiration, I have to admit that at that time, I didn't even hope that Jason could become the most impressive killer of the 2000s and that the adaptations of Ludlum's books would become almost artistically popular affairs loved by both perfectionists and ordinary viewers.

The best May Day of all time and it's just about that last shot. As a younger person, I cursed the third part in order to get back to it through a painful journey and fell in love with it. Non-violent political and human subtext, still functional catchphrases, and superb scenery. And in conclusion, the greatest movie betrayal of my life. "My brother..."