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Born in a poor town in Georgia, Ray Charles went blind at the age of seven shortly after witnessing his younger brother's accidental death. Inspired by a fiercely independent mother who insisted he make his own way in the world, Charles found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered incorporating gospel, country, jazz and orchestral influences into his inimitable style. As he revolutionized the way people appreciated music, he simultaneously fought segregation in the very clubs that launched him and championed artists' rights within the corporate music business. (texto oficial do distribuidor)

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POMO 

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português A nomeação para o Óscar de Melhor Filme é uma questão puramente política. O filme é meticulosamente filmado, os números musicais são brilhantemente editados e Jamie Foxx reflete de forma brilhante todas as posições físicas e psicológicas do seu personagem. Mas o argumento, por si só, sem ele e sem o operador de câmara, faria dormir Ray Charles drogado. É um belo tributo a um grande músico (no qual encontrará paralelismos com a sua própria vida), mas está longe de ser uma grande experiência cinematográfica. ()

Lima 

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inglês Solid craftsmanship, breathing the atmosphere of the 1950s and 60s, but a conventionally conceived and cinematically unexceptional biopic of a musical genius (Hackford's Oscar nomination is a bit mysterious to me). Despite the presence of two or three poignant scenes from Charles' childhood, the glimpses into his life left me emotionally cold, although Ray's colourful life urged otherwise, but the fantastic musical numbers compensate for that (the absolute killer "The Mess Around" in the rehearsal studio, the improvisation on "Baby, It's Alright", the circumstances of the creation and the song "Hit the Road, Jack", and many more), they kick the viewer into gear and beat flawlessly to the beats of R’n’B. Foxx does a great imitation of a great piano virtuoso and I fully believed him as a soul star. Final rating: three and a half stars, rounded down this time due to the high expectations. ()

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Kaka 

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inglês I would call it craftsmanship. Some scenes were unnecessary, the flashbacks of youth were touching and engaging, but not extremely important. However, it is incredible how riveting an ordinary recording session in a studio is in Hackford's delivery, for example. If the best scenes in a film about a great musician are the ones where music takes center stage, at least in this aspect, everything is fine. ()

kaylin 

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inglês This is exactly the type of movie where an actor can show off their skills. An interesting and well-known character, who did not have an easy fate (blindness, drug problems, infidelity), plus he is a singer. So it will really require a capable actor. And Jamie Foxx has shown that, truly delivering a life-changing performance. Incredibly believable, with a great voice, and everything in favor of the movie. It is well built on its own, and the flashbacks are well connected to the present storyline. Yes, it is still just a biopic, but the viewer learns everything important. Excellent acting. ()

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