O Exorcista do Vaticano

No início, o filme diverte com o personagem de um sacerdote rebelde não convencional, curiosamente representado pelo grande Russell Crowe. E depois, no entanto, não diverte ainda mais intensamente com as tolices do género sem sentido no último terço, que é mais ridículo do que assustador ou impressionante de qualquer forma. A melhor cena do filme, com a qual culmina o enredo ainda em desenvolvimento, que dá para apreciar, encontra-se algures no meio. O cinema de mainstream com a maior estrela como protagonista, cem vezes mais inútil dentro do género do que as coisas deliciosas que nem sequer chegam aos cinemas locais (X, Pearl). (15/04/2023)

The best exorcism movie since The Exorcism of Emily Rose? Quite possibly. There have been a lot of exorcism movies over the years, and most of them are more miss than hit, there's just not much place for invention. The Pope’s Exorcist takes familiar horror clichés, but it has two big assets that make it stand out: the excellent Russell Crowe, who delivers a phenomenal performance (a horror film based on a well written and acted lead??), and the film as a whole looks perfect too. The A-list production is evident, and it's been a long time since a horror film has been this well made. In particular, it’s missing all the modern trends and elements, it's proper, dark and old-school like straight out of the 90s, but with great technical execution. Even the opening exorcism scene makes original use of a pig for possession and sets up the whole film nicely. I would have appreciated it more if Russell Crowe went from case to case (if he had exorcised maybe six people during the movie, I wouldn't hesitate with a full rating, that would have been a blast), but even the case of the little boy was interesting enough. The insults of the possessed boy definitely brings to mind the iconic The Exorcist. It's not very scary, there's no jump-scares and there aren't many scary scenes either, but the atmosphere works solidly most of the time and a couple of sequences have the right drive thanks to the great music. Russell Crowe even says some funny wisecracks at times and I wouldn't be mad if he returned as the exorcist again, the role really suited him. The underground finale is on an epic scale with one decent gore scene (thank God it's not PG-13, but I expected more gore from Julius Avery after Overlord), and I liked the incorporation of the Spanish Inquisition and the mythology surrounding the central Demon – King Asmodeus of Hell. Along with Scream VI, there hasn't been a better mainstream horror film, and anyone who had the misfortune of seeing Pray for the Devil in the cinema should fix their appetite with this. Horror week in the cinema has begun, followed by Renfield and Evil Dead Rise, now that's a dose of horror in the vein! 75% (18/04/2023)

Russell Crowe was apparently bored in conventional roles, his Jekyll & Hyde in the failed Dark Universe didn't work out, so his overdone genre cravings had to end here. And in all fairness, he is also the only reason why this schematic routine with no suspense, no creative ideas and no horror atmosphere is worth watching. You can see that he enjoys his unusual role immensely, diversifying it with small details, and even his crazy Italian accent will amuse more than annoy you from the very first moment (partly because it is far from the worst accent in the film). The rest of the vacuum around Crowe, however, is sheer exorcism routine from a routine director, who can only be credited with at least not cramming in annoying jump scares with loud sound effects, which is otherwise the plague of contemporary horror films. (05/04/2023)

Congratulations to the filmmakers for finding a meaningful reason to make the thousandth exorcism horror film with the potential for epic expansion into sequels. However, I won’t congratulate them for not being scared of their own idea, and without flinching, follow a template we’ve seen a thousand times before. A template entertaining and well executed enough to be worth watching, but a template nonetheless. Russell Crowe is very good, some of the visual effects and the generic demonic voice not so. (02/05/2023)

Russell Crowe, in his current chubby state, is already taking every stupid thing he can get his hands on. And yet, I liked the first half enough, as long as Russell is brimming with charisma and wit, and there's no shortage of some fine visual ideas. But as the minutes tick by, it gets sillier and more generic, and the final duel between the two priests, with bodies flying through the air, flames whipping and bloody women climbing out of iron maidens, looks like some kind of Mel Brooks parody. There's an art to fucking it up like that. Thanks for Franco Nero, I haven't seen him in anything in a long time. (24/10/2023)