Paris, Texas

  • Reino Unido Paris, Texas (mais)
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Travis Henderson, desaparecido durante quatro anos, reaparece no deserto dos EUA, exausto e amnésico. Aos poucos, vai-se recordando da sua vida, sendo acolhido pelo seu irmão Walt, responsável por Hunter, filho de Travis. Como totais estranhos, Travis e Hunter começam a construir uma amizade e a conspirar para encontrar Jane, ex-mulher de Travis, e trazê-la de volta para formar uma verdadeira família. (Leopardo Filmes)

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Trailer 2

Críticas (4)

POMO 

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português Porque é que Paris, Texas, é um filme tão lento como as infinitas planícies do Texas, decoradas com verde e céu azul, que funciona como uma carícia para a alma durante o opressivo inverno de Praga? Porque temos de merecer uma conclusão tão maravilhosa que tira o fôlego e não deixa os olhos secos. E ainda por cima, a jovem Nastassja Kinski, é totalmente igual ao meu primeiro amor. ()

kaylin 

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inglês This film is very well directed and of course very well written, but due to its slow pace, I simply couldn't get into it. Harry Dean Stanton is absolutely brilliant here, his dialogue with Nastassja Kinski is the highlight of the film, but it simply didn't evoke the necessary emotions in me, or rather not to the extent it should have. ()

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lamps 

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inglês A remarkable cinematic experience that pushes itself into our subconscious through its slow pace and the very restrained performances of the leading quartet in a very tedious but at the same time masterful way. Although I was mostly searching in vain for themes in this peculiar journey of self-discovery that would knock me down with their power and presentation, the novel formal aspect led by the perfect cinematography, the beautiful setting and the corresponding banjo music, and my great weakness for such creative escapades kept the star rating in the upper floors this time. I'm quite sorry, though, that the expected highly moving conclusion left me suspiciously cold, but at least it fit naturally into the overall easygoing context. 75% ()

gudaulin 

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inglês This road movie is considered to be Wim Wenders' best film and I basically agree with that. It is a very slow film that relies on atmosphere, camera work that utilizes amazing American exteriors, and the ability to perfectly capture subtly conveyed emotions of the film's characters. Above all, it relies on perfectly chosen music, which complements the story. The actors we cast well and have precise acting performances. Harry Dean Stanton is beautifully worn out, Nastassja Kinski is fragile and innocent even during her performance in a peep show, and the child actor performs flawlessly. Overall impression: 90%. It is a film about the breakdown of a marriage and an attempt to return, if not to the role of a partner, then at least to the role of a parent. ()

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