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In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this character-driven, bullet-hard Western based on Robert B. Parkers novel. Blood will spill in the town called Appaloosa. (texto oficial do distribuidor)

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POMO 

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português Outro western «íntimo» decente, desta vez sobre lealdade, camaradagem que ultrapassa a morte, e o lugar das mulheres na vida dos homens ferozes. Não há muitos tiroteios, mas são emocionantes. Os personagens são tão introvertidos e ferozes como a era em que Harris opera; só se consegue passar completamente por baixo da pele deles na segunda metade. Mas assim a conclusão do filme soa ainda melhor. Tudo isto pode parecer frio e visualmente austero, mas desta vez não é uma desvantagem. ()

Kaka 

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inglês The chemistry between Viggo Mortensen and Ed Harris works great, and tough guy Harris is undoubtedly the strongest card of this otherwise average western. The female element is completely redundant, and some scenes are very artificially constructed. It may please only those who enjoy raw and very fast shootouts without any hint of pathos. Otherwise, it is a relatively pointless affair. ()

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novoten 

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inglês First, I was glad that the western genre still had its place in modern Hollywood, but it won't last long with this category of randomly selected scripts. Appaloosa only brings a series of episodes from a interchangeable town with a sheriff's office and a saloon, but it doesn't lead anywhere. The whole relationship-focused story reaches a dead end and the showdown comes literally out of nowhere at the last minute. It's no wonder that the attraction is mainly the actors. Ed Harris is once again a tough guy on demand, and Viggo Mortensen handles the cowboy next door stereotype with humor. However, Renee Zelwegger and Irons show that they only ended up in the Wild West by mistake, and their forced, respectively casual acting has no place here. For this horribly wasted opportunity, I would only give it a disappointing 50%. ()

Lima 

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inglês A Western without a shootout is like a cowboy without a horse, and there are very few here, but that doesn’t matter much. The problem is that the narrative is too slow, hardly leaving banal dialogues, and it lacks tension that would move the story forward and make it more engaging. Ed Harris as a screenwriter and director didn’t disappoint, but he didn’t impress either. ()

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