The Rover - A Caçada

  • Austrália The Rover
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Set in the near future, the world of The Rover is one where mankind's greed and excesses have pushed civilization to the breaking point. With society in decline, the rule of law has disintegrated and life is cheap. Hardened loner Eric (Pearce) travels the desolate towns and roads of the Australian outback. When a brutal gang of thieves steals his car and only remaining possession, they leave behind the wounded Rey (Pattinson) in their wake. Forcing Rey to help track the gang, Eric gives chase. Determined beyond reason, unrelenting in the pursuit of his prey, Eric will go to any lengths to take back the one thing that matters to him. Animal Kingdom established Michôd as a master of brooding, slow-burning tension. (A24)

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POMO 

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português Com a atmosfera do outback australiano, mas também com um cenário pós-apocalíptico realista (que dizer: não-fantasy) com um funcionamento social pouco animador, é um thriller maravilhosamente envolvente. Além disso, gosto muito destas obras com poucos diálogos, em que nos metemos debaixo da pele dos personagens em pequenos passos. Mas quanto mais inteligente é The Rover - A Caçada no início, mais fútil ele se torna em alguns dos seus pretensos diálogos filosóficos, e mais insatisfatório é o seu fim. É como se ele próprio admitisse no final (e o considerasse o seu ponto forte como autor) que tratava da m*rda. ()

J*A*S*M 

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inglês (49th KVIFF) The tempo is easy-going, but the atmosphere is gripping, with the dirt, the desert, the hirsute hero, the endless Australian roads, the isolated buildings and the redneck post-apocalyptic population. Pearce and Pattinson are great. And it’s got some balls, as the midget will tell you. So, pretty satisfied, though Tarantino’s hype (OMG! OMG! the best post-apocalyptic movie since Mad Max) was, as expected, exaggerated, if not downright bollocks, as it’s usual with him. The final twist is (especially for me, those who know me will understand) utterly absurd, though the protagonist’s prior behaviour gives it at least some motivation. ()

3DD!3 

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inglês Michôd doesn’t make things much easier for the viewer and without any explanation he follows Guy Pearce and his retarded partner (Pattison finally finds his feet as an actor and as a village idiot is entertaining and completely natural) in the hunt for a stolen car, heading daringly toward the twisted finale. The rosy future is just roads and sand or an ugly human caricature with a gun. The first half hour before the main characters meet makes watching more difficult. Many will find it terribly boring, but I quite liked this naturalistic road movie. ()

Kaka 

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inglês A slower and less functional affair than, for example, The Road (though similarly inhospitable, dirty, raw), its biggest flaw is that it wants to be occasionally cynical and deliberately far-fetched, but it doesn't really work. Guy Pearce and Robert Pattinson are surprisingly work, but otherwise, this bizarre post-apocalyptic road movie is average and not innovative or entertaining in any way. ()

Goldbeater 

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inglês Quentin Tarantino called this film the best post-apocalyptic film since the original Mad Max. And I say congratulations to David Michôd for being able to produce such a hundred-percent concentrate of first-class boredom! The Rover is a kind of self-infatuated blob in which you will wait in vain for some twist and regretfully think about Mad Max and its epic moments. At least, the final scene makes sense and prevents a total fail. But, you, Quentin, please watch your mouth! [KVIFF 2014] ()

Filmmaniak 

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português O principal anti-herói Guy Pearce corre pela Austrália pós-apocalíptica em busca de um carro roubado, ajudado por Robert Pattinson doente mental. Se ele tivesse pelo menos murmurado algumas palavras no início e explicasse porque o carro é importante para ele, o enredo inteiro teria deixado de existir imediatamente. O ritmo é lento e o filme mal tem uma hora de ação, mas de alguma forma consegue esticar-se para quase o dobro disso. O carácter de Pattinson é muito mais interessante do que o de Pearson, e Pattinson dá mesmo desempenho melhor. De facto, Pearce apenas franze a testa o tempo todo e o espetador pergunta-se porque é que ele faz o que faz. Provavelmente também não o recomendaria aos fãs de pós-apo, porque se não fossem os créditos de abertura a explicar que o filme tem lugar dez anos após uma catástrofe não identificada, eu nem sequer teria percebido que era suposto ser pós-apo. ()

kaylin 

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inglês "Rover" is definitely an interesting film, although it depends a lot on whether you enjoy slow, contemplative movies where every second feels like three seconds in reality. It drags on, but the story being told is not completely bad in itself. It just doesn't impress. I'm a fan of Robert Pattinson, and here he proves that he has stepped out of his box and is a capable actor. Guy Pearce has proven this a long time ago, he just tends to play similar types too often. ()