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Patrick BriceConteúdos(1)
When videographer Aaron responds to a cryptic one-day job offer, he's unnerved to discover that nothing about his client, and the personal project he's creating, is as it first seems. Arriving at a secluded mountain cabin, Aaron believes he'll be helping terminally ill Josef to create a heartfelt documentary for his unborn child. However, whilst Josef intentions are seemingly sincere, as the day progresses Aaron is forced to question the events he's being paid to capture as the façade of normalcy slips away. Faced with Josef's increasingly disturbing behaviour and terrifying video confessionals, Aaron realises that the film is about to take a much more sinister turn. (Kaleidoscope Home Entertainment)
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Um psicotriller realista, trabalhando com a forma de horror de found footage vídeo. Psicologicamente credível, interessante, mas não tão suspenso ou chocante no final como gostaria de ser. O carácter do psicopata não desperta suficiente respeito ou medo.
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A very nice mix of horror and comedy (yes, unlike other users, I found it exceptionally funny at times, though in a very black humour kind of way – I’d certainly wouldn’t like to find myself in the situation of the protagonist). Mark Duplass has a lot of fun in the role of an utter crackpot who behaves in a way that you don’t know whether he wants to entertain, rape or murder you. And Kack-Brice is also very convincing in the role of the poor bastard who’s got himself into a very unpleasant situation. In short, Creep is a very good example of a film that builds tension and fear mostly through the situations taking place on the screen and not with the tools of filmmaking (camera, editing, music, special effects).
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Photo © The Duplass Brothers/Blumhouse Productions
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