Lilting

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Set in contemporary London, Lilting tells the story of a Cambodian-Chinese mother mourning the untimely death of her son. Her world is suddenly disrupted by the presence of a stranger. We observe their difficulties in trying to connect with one another without a common language. Through a translator they piece together memories of a man they both loved dearly, and realize that whilst they may not share a language, they are connected in their grief. A delicate and heartfelt drama about memory, love, language and loss, featuring a powerfully compelling central performance from Ben Whishaw. (Artificial Eye)

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Críticas (2)

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POMO 

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português Diálogos sensíveis em quatro pessoas sobre intimidade oculta, solidão e perdas, em entrega bilingue com interpretação constante que o prolonga à duração de longa-metragem — gostaríamos de afirmar cinicamente, se não fosse o facto de esta interpretação e a presença duma terceira pessoa no diálogo íntimo do casal trazer um humor agradavelmente aligeirado à triste poética do filme. A personagem da mãe, com a sua atriz protagonista, reina-o absolutamente, mas ela não tira o filme do seu tédio e dilatação. ()

Stanislaus 

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inglês The director's more recent film, Monsoon, left me quite cold, but Lilting definitely made me shiver and left a strong impression on me. Hong Khaou relies on an intimate atmosphere and mostly minimalist acting, something he would use again in Monsoon, but here he managed to portray several storylines in an audience-engaging way, which were in the spirit of overcoming certain barriers – language, generational or cultural – but also the actual overcoming of grief over the loss of a loved one. Apart from the modest but all the more moving musical score, I must especially praise the acting of Pei-pei Cheng, whose mere glances were often enough to convince me of her character's inwardness. ()