Monstros Fantásticos - Os Crimes de Grindelwald

Mais um molho sem sabor feito de água, em que o duelo entre o jovem Dumbledore e Grindelwald se aproxima lentamente, mas na realidade só se aproxima - e provavelmente serão necessários mais alguns filmes. Uma história esparsa e artificialmente prolongada, que se baseia, mais ou menos, apenas na perseguição de um feiticeiro através de Paris (curiosamente, não de Grindelwald), Rowling e companhia tentam, sem sucesso, preencher as reviravoltas laterais com as dificuldades mais banais de um bom número de personagens, alguns dos quais são introduzidos apenas para figurarem no filme, mas não dizem nem fazem nada de substancial durante todo o tempo (e, aparentemente, só receberemos mais deles nas sequelas). Em segundo plano, há uma espécie de pista de um desvio épico para o confronto fatídico entre dois dos maiores feiticeiros do seu tempo, mas o filme em si não conta nenhuma grande história e limita-se a cavalgar sobre as linhas periféricas mornas e românticas dos seus heróis, a nostalgia de Potter, e os animais digitais que servem puramente para decoração. Visualmente, é bonito e cheio de sensações imaginativas e divertidas, mas isso apenas faz dele uma feira divertida de atrações coloridas e promessas não cumpridas. (14/11/2018)

The production is so well tailored to patient Potter fans that it's killing me, as it doesn't stand a chance of being heartfelt for anyone else. It has everything, but most of it in such trace amounts that anyone who isn't satisfied by the fact that it's mostly just a glimpse at historical parallels and genealogical research will be disappointed. Once again, the most introverted action hero of all time takes us through the world of both magic and non-magic, but for those who haven't spent the past two years exploring diverse fan theories, the moments when new species of animals want to enchant us again in a hundred and one ways are not enough. The world of the audience has understandably begun to forget, and it will be even worse in two years' time. Although Fantastic Beasts: The Crimes of Grindelwald lends tension and anticipation to the story wonderfully, this time it isn't the usual closed dramatic arc that we are accustomed to from the wizarding world. It is explicitly assumed that the viewer remembers even the more fleeting emotional moments from the first installment and the third installment again leaves a very precarious foundation for an open ending, a narrative betrayal unknown to the Hogwarts saga. I understand the audience's confusion: it is not possible to turn to the books for hints and answers, which many of them still consider a betrayal by J.K. Rowling. I don't, because I am extremely grateful that this world can open up to us again and again, and I barely breathed during the touching nostalgia of the outlines of that most beautiful castle. The change of scenery is finally complete, the deceit is over. (03/12/2018)

I actually had a bit of a déjà vu. Within the Harry Potter universe, the story is a few decades older than the one that was current at the time with the final two-parter about the Battle of Hogwarts. It’s as if the authors travelled back in time to do an inconspicuous film preparation for the epic final battle. And we’ve already seen that once. So, at times the first half of the film was incredibly boring. The entire movie is shot in these strange, dark-bleak colors that you have to work pretty hard not to be lulled to sleep by. And since there is nothing going on in the plot and there is zero action, it’s not easy to fight the urge to sleep. Some animals are quite nice the same way as in the first movie, but that’s about it. There isn’t much humor and the only thing that I remember about the characters is that Eddie’s portrayal of the anti-social Newt is more than believable. There still are a few good moments here. For instance, casting Jude Law as young Dumbledore was a great choice. J. K. Rowling also provided a couple of interesting story twists that fans of Harry Potter will surely appreciate. It still feels like a weaker return not only to Hogwarts. But when the film is taking place in Hogwarts, it picks up considerably. (26/11/2018)

The first film proved that audiences are still quite curious about this cinematic world and will gladly pay to return to it. So what do we do in the second one? What makes sense. We're gonna add in everything that we think people might like, to keep it wringing it out for a few years. This approach is fine, it's just what Hollywood does with big movies, but unfortunately the second Fantastic Beasts shows that it's not always for the best. For example, getting a film directed by the biggest routine artist Hollywood has at its disposal, or wanting to milk the studio so badly that it sets up a lot of plots, subplots, characters, heroes and creatures that there's no time at all for a plot that makes even rudimentary sense. The result is a bunch of mediocre, albeit good-looking action, a lot of twists and turns that would put the creators of Wild Angel to shame, and a cauldron of book and movie references that fans are likely to enjoy. That last thing makes The Crimes of Grindelwald rather good, and if you head to the cinema expecting someone to simply shove things you probably like and probably want to see under your nose, you'll enjoy it. As an attempt to kickstart a grand fantasy franchise, however, it brutally fails in practically every way. Boring movie, and perhaps even a little embarrassing at times. (15/11/2018)

I'm very satisfied, unless you count the fact that I went to the cinema three times, as I didn't get to see the film because tickets were sold out. I liked the world of Harry Potter because great wizard fantasy is scarce, so when it was discontinued I had no choice but to hope something similar would come along, and Fantastic Beasts is a great substitute (like The Hobbit for Lord of the Rings). Compared to Harry the casting is much better. Johnny Depp as the bad guy is excellent and finally appears in a film that won't flop financially, Jude Law as the young Dumbledore is great, and though I don’t Eddie Redmayne’s weird expression, he is a young undoubtedly talented Oscar winning actor, so it's worth a try. The production design is great and the return to the familiar world is pleasantly nostalgic, the numerous Easter Eggs are a delight, the action is decently handled, although there isn't much of it, and the finale with the blue fire dragon is spectacular. I can strongly feel that the cards are still being dealt and something big is being promised, but I don't mind it at all, because the first two episodes of Harry Potter were similar and since Azkaban it's was a ride. I'm looking forward to the pentalogy. 75%. (29/11/2018)