Saboteur

Um thriller espetacular, com um argumento carregado e uma direção ótima. No entanto, o problema que vejo está tanto no ator no papel de protagonista, que, embora seja um trabalhador credível, não é um herói hitchcockiano simpático, como também na sua química com Priscilla Lane. A menina põe a cabeça no seu ombro antes que a mais pequena faísca se acenda entre eles... (29/11/2004)

The first American films by Hitchcock were all made at a difficult time. It was necessary to please a new breadwinner and satisfy a new audience. Nevertheless, Hitchcock continued to develop what he had long learned at home. Saboteur is not particularly special (compared to other tendentious war films), but there are at least two scenes worth noting. The first is the encounter with a freak show (see Freaks or Freak Show) and the second is the finale, which works the same way as the finale in Blackmail. The film has an attractive setting, and tension to the last moment, but of course the happy ending kills it all. Moreover, it's all just variations of the same, see The 39 Steps or North by Northwest. (22/03/2023)

Some scenes that are really flawless, but a few of them are too naive, and the main character's performance was unbearably dull, and the atmosphere was spoiled a couple of times by overly romantic and inappropriate music. The ending, on the other hand, was superb. (09/04/2016)