A Nona Porta

A seriedade do tema é mal equilibrada com a leveza. O resultado é um filme cada vez mais embaraçoso a cada minuto que passa. Frank Langella é apenas uma figura cómica na cena final. Felizmente, o grande Johnny Depp salva-o mais uma vez. (21/01/2004)

This is the film that convinced me that Depp is a great actor. Polanski didn't need to convince me, but he could definitely have chosen a better script, this one it's as bland and uninteresting as his Frantic. But the film does have a certain amount of mystery and atmosphere, and the ending is very good. (11/10/2003)

Very badly made in comparison with the book it’s based on. Only one of the storylines is developed on here and, paradoxically, it is a “less" important one. Even so, the movie itself isn’t outright bad, although this insight into the world of bibliophiles and rare edition hunters isn’t as effective as it could (and should!) have been. Unfortunately the whole thing is spoiled by the crappy ending, Depp tries his utmost and just about succeeds in keeping its head above water. (16/02/2005)

European film from the Polanski - Emmanuelle Seigner series and again an interesting adaptation. While the poster is eye-catching, it might be worth highlighting something other than just another Johnny Depp creation. (16/06/2017)

The Ninth Gate isn't a completely bad movie, but the horror element is essentially missing. There are moments where even the tension is lost, which can be a reason to stop watching the film. Fortunately, Depp is charismatic enough here for you to navigate this journey with him and be enchanted or disappointed by the specifically peculiar ending that this film possesses. Enthusiasm is lacking, but I don't have a completely spoiled impression either. (18/05/2015)

When the denouement itself is severely not worth crap, it's pretty hard to (unbiasedly) judge the rest of it. Still, I'm giving it a shot, and at least as far as the story itself goes, The Ninth Gate is very interesting material for filming. The problem is that the film jumps from interesting mystery waters into C-rated action sequences and (perhaps intentionally) is its own apt self-parody at times. It's just my feeling, but Polanski's direction this time around reminded me at times of a decadent East German aesthetic. (05/10/2020)