Realização:
Maciej PieprzycaArgumento:
Maciej PieprzycaCâmara:
Witold PłóciennikMúsica:
Leszek MozdzerElenco:
Dawid Ogrodnik, Cyprian Grabowski, Jowita Budnik, Wiktoria Gorodeckaja, Maja Komorowska, Justyna Wasilewska, Piotr Adamczyk, Mikołaj Chroboczek (mais)Conteúdos(1)
Mieczysław Kosz was a real person. Since infancy, the eventual piano prodigy was visually impaired. It was too late for eye surgery, and the boy lost his sight completely when sent by his mother to a facility for blind children. Nonetheless, with the aid of his huge pianistic talent, he found another way to communicate with society. Despite being classically trained as a musician, he felt drawn toward jazz, and by the end of the 1960s, he became a phenomenon of the jazz piano scene in both Poland and worldwide, compared to Bill Evans. Still in his twenties, Kosz won the hearts of audiences at home and abroad, successfully performed at jazz festivals, and recorded albums. However, all the artistic achievements came with a sense of loneliness in his personal life, manifesting itself in various and often bitter ways. (Camerimage)
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Mais um retrato biográfico dum músico talentoso e, por coincidência, esse é cego. Com um ator principal ligeiramente exagerado, flashbacks para a sua infância, uma paixão platónica por uma colega cantora, um período de afogamento em álcool, etc., etc. Já vimos tudo cem vezes, e aqui não é apresentado com qualquer originalidade ou qualquer momento surpreendente, ou enriquecedor. Onde não há um conteúdo adequado, é necessária uma forma excecional — e o Ray americano tinha isso a outro nível.
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