3DD!3

People are not just snippets of what they put on the internet. This is a disturbing twist, but subliminally it is a metaphor for the uselessness of men in today's emasculated society.

The first of Richie’s gangster joyrides and, in fact, the beginnings of a new subgenre. I’d give it full marks, but Richie’s younger disciples have since managed to fine-tune the details and step on the gas. An amazing final scene.

A black comedy about good intentions. Jensen thrives in absurd situations and unexpected storyline twists. An absolutely original story about two mates who do good deeds to help people, crowned with a metaphysical finale which nowadays would burst the controversy barometer. Olsen’s naturalistic action with a brutal final gunfight will please every fan of the genre. Great lines. "She tried to steal your TV."

A balanced, visually captivating spectacle with the powerful theme of family values. The unbelievable acting performances by Bethany and, mainly, Elizabeth Olsen does much to improve this first Marvel sitcom. The experimental nature of storytelling is entertaining and the bar is set very high.

The most powerful episode yet. Very imaginative. From a screenplay point of view brilliantly thought-through and fine-tuned details with small clues unraveling with every further tale. Hamm is excellent, with a couple of small winks at Mad Men. The pessimistic ending is just right for Christmas.

The unexpectedly brutal and malicious finale raises this IT awareness episode above the standard fare. Pleasantly down-to-earth actors and mainly and with many moments one experiences in real life, in this case taken to hysterical extremes.

Quite entertaining hogwash with a nicely OTT finale. The monsters look really great, the action is easy to follow and is a dream come true for little fans of fantasy who love dragons and dinosaurs. Anderson is a B-movie director to a T and he gets great joy out of making this sort of thing with Mila. It’s interesting to see how they steal things from the "Dark Tower" saga by Stephen King (the parallel worlds, and the Tower that unites them; come on, now - give it a rest!). It’s dumb as anything, Ron Perlman has awful hair, the relationship between the heroine and Tony Jaa is really shaky, but it’s bearable.  It isn’t so much about people anyhow.

A poor, unfaithful adaptation, turning some scenes the other way round to fit into these multi-cultural, irreligious times. The unclearly structured storytelling kills any chance of identifying with the separate characters and their interactions can make sense only to those who read the book. But if you have, you will be disgusted at how lamely done the introduction is. The least interesting part in Boulder is given the most space. And all that’s left of the Trashcan Man, probably the most intriguing character in the book, is a one-dimensional caricature. Some of the characters are absolutely superfluous, because the scenes where they do anything useful have been cut. The last episode is just a space filler; the things that happen in it aren’t in the book at all. A couple of things here are fine, but overall this is a big disappointment. P.S.: Notice that nobody in this movie is wearing either a facemask or a respirator.

Apart from a ten-minute, visually attractive space sequence, this is a regular, earthbound documentary about various ins and outs of Mother Nature. Sometimes what we find out is interesting, sometimes not. The best thing is planet Atlas and then the last Terra which may (or may not) show us what the future looks like on our lump of dirt. Brains in tanks!

With our government’s policies, I probably (luckily) won’t survive until my retirement. It’s just a matter of time until Marla inspires somebody to open a similar professional care service in this country. This cynical, female version of Scarface surfs on the waves of modern trends and, but still comes across subversively. It has a perfect screenplay which doesn’t falter, even at the end, and it manages to squeeze both comedy and a good portion of tension from the ridiculous premise about a "carer" who (completely legally) robs the mother of a white slave trade boss. Rosamund Pike’s acting recital is tastefully seconded by Peter Dinklage. Unexpectedly satisfying.