3DD!3

The introductory fascist speech gets your blood boiling, but it really starts to get going after the evidence explodes. Smuggled sacks of flour, the visit to the looney bind and the fantastic scene with dad. And the reference to Mr. Solomons? Is there a flashback in store for us? Peaky Blinders on best form.

Certainly weaker than part one, but MacFarlane brings us lots of ingenious gags again. In terms of story, this has turned into a morality piece about humanity with a classic romantic plot line and tons of toilet humor. It lacks a moment of surprise.

A farewell to Breaking Bad and the legendary Robert Foster, who since yesterday is no longer with us. El Camino is like the last knot to untie. Its association with the series slightly obscures its message, because it completes Jessie’s journey and not Walt’s. The lesson “you can never escape from your destiny" now sounds different, a little more optimistic. Flashbacks to the series, either explanatory or reminding us of some key figures, are great, but the present storyline, full of PTSD has something to offer. I liked the almost western-style climax. I was pleased to return once more to Albuquerque.

Several heart-stopping moments, camera tricks and a story that has the viewers hanging like puppets on a string, and the puppet master keeps on jerking them. The last season begins with the bar set high. Goodbye, friend.

A great show about the truth behind news coverage. The excellent Crowe revels in playing Ailes like he relishes the cakes that he is forbidden to eat in the end. Manipulation, astute comments directed at the regular, tired dad in front of the TV and then cute girls. Mainly the girls. The series focuses on the most important years, almost never losing pace. From the beginnings of FOX News, through the Twins to Donald and the indictment. The acting performances are top rate and demanding. It's just a shame that they didn’t finish it until he slipped in the bathroom.

Entertaining idiocy about a bloodthirsty prehistoric shark, in which Statham sings the same tune as Dory in Finding Nemo. The tricks are solid and the B-movie screenplay is supported by essential crutches such as a whining black guy, a bothersome billionaire and the requisite love story. But the movie also has a British joker up its sleeve who used to be a professional swimmer and saves everything, including the movie. I enjoyed it.

Todd Phillips is the man (who would have guessed). He masterfully works with the viewer's sympathy for the title character. Joker is almost unpleasant to watch in places. I’m surprised it’s so popular. The duplicity of the movie trips it up slightly. It’s too comic-bookish for a social drama and too indie for a comic-book adaptation, but maybe I’m just old-fashioned and this is the right way to reach today’s audience. And part of the message is just that. Popularization of serious topics for the masses in practice. Phoenix’s performance is incredible, as he literally embodies his role. The vast majority of the movie’s unpleasantness stems from his acting performance. The supporting characters (King of Comedy) only underpin his brilliance. The somber music interspersed with regular happy songs add to the picturesque image of a city in decay. I’m sorry that it didn’t end with the jig on the car; the epilogue is a little redundant. And now a question for you: did you pity him, did you despise him, or did you want to go and join him?

A stylish action movie with an atomic blonde in the role of a brilliant spy. High-octane fun with breathtaking choreography and a perfect team of actors in the supporting roles. It’s just the kind of nonsense that, despite being terribly naïve, was made with such gusto that you’re going to want to watch it more than many an Oscar winner. Besson’s still got it.

A time-travel chase movie just like I like them, with a quality cast and an intriguing plot in the style of Predestination. If you know the rules of the genre, you will probably appreciate the quality atmosphere. Mickle’s individual style gives it a Terminator-like stamp of reality. The synthesizer soundtrack is good to hear, and it's good to see Dexter in one of the supporting roles. The concept of killing thoughts in their incipient stage is cool, but also very dangerous. Who is going to determine what is ok to think and what isn’t?

All's well that ends well. Personally, I think this is where the first season should have ended, because it was a bit harder to get a grip on the plot. Hell's as rotten as Luci.