Amor, Estúpido e Louco

Aquilo de que Hitch - A Cura para o Homem Comum se baseava aqui é apenas um prelúdio para uma colagem de relações mais estratificadas de romance, comédia e drama. Pode ser uma fórmula de Hollywood, mas arranja de forma inteligente múltiplos personagens com relações de love-trouble não tão primitivas. Graças a isto, e especialmente à presença de Ryan Gosling e de Julianne Moore, nos papéis nos quais seria de esperar Adam Sandler e Salma Hayek, o filme se destaque de uma caixa de cereais semelhantes. (27/09/2011)

For three quarters of its run I was really thrilled with Crazy, Stupid, Love, but that clichéd happy ending made me lose that feeling very quickly. Carell, Gosling, Moore, et al. are fantastic, I had no problem liking everyone. It’s certainly a very nice film, but if you want to see a truly great one, turn it off after the “meeting in the garden” scene. (24/10/2011)

A pleasant film that changes absolutely beautifully over time. I was quite impressed by how many interesting and big names they managed to rope into this movie. Maybe they wanted to shoot it for fun, because I doubt that they could get that much money out of such relationship-centric romantic movie. Anyway, the most amazing thing in the movie was Ryan Gosling. He was changing right before my eyes. First he was a flute player who scored with every girl he looked at, and then he was a boy who fell head over heels in love. And I believed him all that one hundred percent. Without him, the film would’ve definitely been only a half of what it is. But not only without him; Steve Carell is great as well. I just don’t understand why he’s being referred to as a comedian. He hasn’t grabbed my attention as a comedian yet, but he did convince me that he is a good actor. The film itself is about relationships with those we love and also about the fact that sometimes these relationships go into a slightly different direction than we would actually like. It was definitely a nice movie, but watching it once was enough for me. (29/12/2012)

Once again, a film full of quality humor and great lines. I don't think anyone in the cast is up to Ryan Gosling’s standard, but Steve Carell shone exceptionally. There are plenty of scenes that made me laugh out loud and a few that made me melt a little. The music was also well chosen. I appreciate films like this in this day and age. The only thing that kept it from perfection for me was a bit less of an American ending. 4.5 stars. (08/12/2011)

The cataclysmic ending was very good. Lots of great scenes, a few clichés and likeable actors (Gosling gave a hat trick this year), so an enjoyable film. (02/01/2012)

There's loads of these brisk, funny, situationally attuned, brilliantly shot comedies with polished casts in precisely fitting jackets, and no less precisely fitting roles. And if there is also an interesting dramatic subtext and some wisdom from life, much better. It should be noted, however, that Crazy Stupid Love entertains just a little bit more than its contemporaries. It's hard to say what it is, maybe the directorial dynamics, maybe the immediacy of the main characters, in any case, it’s great. (06/01/2017)

I wonder why Steve Carell took on another almost identical role after the great Dan in Real Life? Why didn't the film end with a great confrontation in the garden and have to have that awful ending? Why did Ryan Gosling get on my nerves so much? Okay, I'll answer the last question myself right now, since I'm heterosexual, but the first two remain a mystery. Still, Crazy, Stupid, Love isn't a bad spectacle. It's just worse than the aforementioned film four years before. (03/01/2015)

Such a stellar constellation, and such a shallow result. What does it matter that actors like Carell, Moore, Emma Stone or the new hearthrob Ryan Gosling shine in front of the camera, when they are part of a script so naive and shallow that it was impossible to ignore. The three romantic storylines fit together beautifully and the first face-to-face meeting of all the characters raises the film to a slightly higher level, but with the exception of Gosling's affair, the stories are not very interesting, in some respects they’re downright far-fetched (I would have shot that little boy), and also blindly predictable until the final reconciliatory happy ending. I don't want to criticize too much, because this comedy certainly doesn't deserve it, but as much as I was looking forward to and expecting an American version of Love Actually, in the end I had to put up with just another routine movie that was neither very funny nor original. 70% (14/03/2013)

A romantic comedy that is incredibly enjoyable, well acted, and not based on a script that is completely stupid, soulless, or tasteless. The joys and sorrows of love are a rewarding and inexhaustible subject that translates well to the screen. Moreover, Crazy, Stupid Love manages not to get bogged down in clichés and awkwardness, as is often the case with films of this genre. In addition, a film starring Julianne Moore and Emma Stone together would be worth watching just for their presence alone. In short, a nice and sweet film that makes you laugh and moves you, in both cases pretty honestly from the heart. (12/02/2014)

Not your standard romantic comedy. The humor was more subtle, the story was more fleshed out (I even thought it would hold up until the finale for a while), the dad was played by a very convincing Steve Carell, and even the corny plot with a life/relationship coach sort of worked for me. At first, the only thing that slightly spoiled my overall good impression was the lovestruck teen. I was going to give it a four, but it turned out I was too much of an optimist. Although the filmmakers had been resisting it, the film eventually slipped into the standard clichés and melodramatic speeches in the end. I did manage to see the bigger picture so I’m giving it three stars as I surprisingly had a good time most of the time. / Lesson learned: You aren’t exactly a great athlete? There's always miniature golf. Or chess. 3*- (20/09/2022)

"Crazy, Lost Love" is a comedy that definitely doesn't seem like the biggest hit after the first scene. Cal, played by the great Steve Carell, learns out of the blue during dinner that his wife wants to divorce him. Because of that, he later jumps out of the car. That's when it gets funny again. But the film gets even more complicated. Cal's 13-year-old son is in love with the girl who babysits him (17 years old), and she is in love with Cal. Love truly takes on different forms. Not to mention that Cal becomes a ladies man who gets nine women into bed over a few nights. He is helped by the professional seducer Jacob, played by Ryan Gosling, a person who puts everything into every role. But even the seducer must sometimes fall in love and want to settle down. The film deals with a fairly tangled mess of relationships, but eventually unravels itself. I won't reveal anything, but the film works excellently on all levels - it is great as a comedy, as a drama, and as a romantic film. Some jokes are strong, and some scenes have the potential to become cult favorites. The film is dominated by the brilliantly chosen actors, whether in the roles of the two mentioned men, or in the role of Julianne Moore. The young actors playing the thirteen-year-old son and the babysitting girl don't let themselves be outshined. Thanks to them, the film works well. You will laugh, you will get emotional. This definitely couldn't make me "LOL". More: http://www.filmovy-denik.cz/2012/08/parmeni-krysy-z-temnot-mi-4-blazniva.html (26/02/2013)

I really wasn't expecting so much tasteful humor along with a rather rich plot (for a romantic comedy to be sure). The story of each couple is irreplaceable, the intertwining is gradual and thoughtful, and the acting is very enjoyable. This film warms the heart, caresses the soul, entertains, moves, and leaves you with purely positive feelings. And Robbie is the most sincere and endearing character (I'm not a homosexual or a pedophile), his persistence towards Jessica is admirable, funny, and evokes no small amount of sympathy for his character. The more romantic comedies like this that exist, the more the majority audience base of the genre will be restored (cultivated?) and the world will be a little better for it.:) The complete absence of childish and cheesy humor is replaced by a wonderful narrative about love relationships across all generations – spiced up with brilliant casting and an overall natural impression. One of the genre film highlights of recent years. I was ultimately put off from giving it full marks by Cal's overly sweet final speech. (09/04/2012)